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9A0-043 - Adobe Illustrator CS 2 ACE - BrainDump Information

Vendor Name : ADOBE
Exam Code : 9A0-043
Exam Name : Adobe Illustrator CS 2 ACE
Questions and Answers : 67 Q & A
Updated On : February 15, 2019
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9A0-043 exam Dumps Source : Adobe Illustrator CS 2 ACE

Test Code : 9A0-043
Test Name : Adobe Illustrator CS 2 ACE
Vendor Name : ADOBE
Q&A : 67 Real Questions

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ADOBE Adobe Illustrator CS 2

Adobe Illustrator CS3 | killexams.com Real Questions and Pass4sure dumps

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    Adobe Illustrator CS3 company: AdobeOperating system aid: windows XP SP2, Vista domestic top rate or better, Mac OS X 10.4.8Price: Illustrator CS3 full edition: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (store for Illustrator CS3)

    usual, the transition to Mac OS X changed into quite easy, but one of the vital rough periods for skilled photograph designers turned into Illustrator 10. this primary native OS X edition turned into the poster baby for explanations to attend to flow to Mac OS X on older hardware, on the grounds that everything turned into glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for bound.  at last, updates made it incrementally faster, and with edition 12, it became ultimately zippy enough to run on a first-gen G5 devoid of feeling like you had been designing in bullet time.

    okay, it wasn't that unhealthy, however Adobe knew it had issues with the older code; with CS3, they've absolutely overhauled the drawing engine to get a an awful lot better enhance and convey an end to any nostalgia for the quickly—yet crashy—days of yore. Of route, this update also comes with established Binary Intel Mac assist, a new interface, and a few things called "new aspects" that we'll additionally take a look at. So devoid of further ado...

    equipment requirementsMac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.four.eight
  • 512MB of RAM (1GB counseled)
  • 2.5GB of obtainable hard-disk space (extra free house required all through setting up)
  • DVD-ROM pressure
  • windows
  • Intel® Pentium® four, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or appropriate) processor
  • Microsoft® home windows® XP with service Pack 2 or windows Vista™ domestic top class, business, most excellent, or enterprise (licensed for 32-bit variations)
  • 512MB of RAM (1GB recommended)
  • 2GB of obtainable difficult-disk space (further free space required all over setting up)
  • DVD-ROM drive
  • notice that none of the CS3 applications are 64-bit. The Mac edition requires more space as a result of the popular Binary utility layout.

    look at various hardwareMacBook professional Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.4.9
  • Mac seasoned 2.66 GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.four.9
  • dual G5 2.0 GHz
  • four.5GB RAM
  • Mac OS X 10.four.9
  • Illustrator CS3 interface

    As you might have guessed in case you've been following the different CS3 updates, Illustrator CS3 now activities the clean darker gray palettes and convenient docking scheme and icons seen in Photoshop and InDesign CS3:

    click the double arrows to expand the width of the dock to the total docked panel mode

    in this docked mode, all of the panels sit linked vertically so that slivers of the laptop now not distract you from between your palettes. It helps isolate your workspace nicely, and as was mentioned in our Photoshop evaluate, the new seem to be is very clear and reduces clutter whereas nonetheless supplying you with access to every thing you deserve to have at your fingertips, maximizing space utilization for these of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their which means. It took me a little to cease mistaking the Pathfinder icon for the Attributes due to the fact that both seem like a Boolean knockout but that became a short-lived and quite unexciting combat.

    while the organizational merits of the new scheme are relatively clear, the main issue with them is that, since you are likely to start between palettes in Illustrator a lot, if you use the attached docked palettes, then they all shift around to the element of being slightly puzzling.

    click for animation

    relocating goals don't seem to be plenty fun if you happen to're a quick clicker, so that you can reduce the shuffle, i use a mix of the undocked, unstacked palettes with some docked icons to things I do not want constant entry to. but average the readability of the new interface is a welcome change and makes working on a MacBook pro much less cramped for sure. in case you like an even more constant and muted workspace to be aware of colour work, AI CS3 now has an alternative to set the interface tone to distinct colors of grey:

    This appears to be a professional app feature that i would normally like to see, however in Illustrator, I think like it be a little bit inconsistently carried out, and the sleekness that you're used to with After outcomes or final cut seasoned offers option to a sort of selective paint bucket impact:

    The darkest gray atmosphere with distracting white fields, edges and dialogs that do not replicate the darker gray scheme.

    this is a far cry from the "welcome to the longer term" seem of After consequences and does a nasty job of being less predominant. here is the form of quick-and-dirty repair you would expect from a company less equipped than Adobe. confidently it might be addressed before the subsequent essential improve.

    Customizable handle palette

    Taking notes from InDesign, Illustrator CS3 now facets a far better control palette to provide entry to frequently-used capabilities, which may also be customized to improved suit your individual work stream:

    within the control palette are a load of contextual alternatives; you probably have an anchor factor selected, you're given a bunch of new decisions in the control palette:

    apart from being capable of handle the anchor point's absolute place (cropped at the right), that you would be able to convert it to a corner point/smooth factor, eliminate it, join it to an additional conclusion aspect, divide the direction on the factor selected, or align objects and chosen points, which is coated in more depth later.

    should you select an object with an impact on it, the handle Panel items alternatives for these results:

    and that's Diebold the Montreal band, not all and sundry's favourite vote computing device maker

    The old iteration of the manage palette had some of these options (the type options are largely unchanged from CS2) however did not go as far as CS3 does in having a one-stop area for the contextual control. My simplest gripe about the manage palette is that the align options still do not encompass the distribute alternate options, which is what I reach for half the time I open the Align palette. otherwise, it's well idea out and makes decent use of the house. Illustrator is the sort of software that, if poorly idea out, could consume method too a whole lot area with its palettes and control. fortuitously, CS3 does what it will possibly to be potent, customizable and clear.

    doc profiles

    definitely a welcome boost, Illustrator now has template profiles that exhibit up at once in the new documents dialog, making it simpler to create a web, print, or video doc with ordinary parameters for diverse working scenarios.

    inside these alternate options, there are suboptions for colour mode, rasterization decision, and setting pixel/overprint preview modes to be on by using default, in addition to transparency grid settings. observe that there remains no nonsquare pixel preview option for video documents.

    in case you should have a custom structure, you could make a new doc, and when you put it aside to the brand new documents Profiles folder, it turns into immediately available within the New documents dialog.

    My spread format seems within the New doc Profile part. For some reason, it rounds the second decimal vicinity and leaves the third out, even concept it preserves the precise 10.875” height in the document. somewhere there is a .05 of an inch floating round a black hole.

    All in all, apart from the brand new CS3 interface panels and docking scheme, it's a little challenging to get excited in regards to the interface and document preset/customization options new to Illustrator CS3. they are long late, and that i've had a plug-in for years that permit me save palette positions. here's in fact a case of catching up to what's been fairly typical for an expert images app for ages now.

    tool improvements

    the vast majority of time spent in Illustrator is never always with filters; it's usually spent just coping with paths and tweaking, so CS3 hopes to make working more efficient by upgrading the basics—the primary of which is anchor aspect highlighting and identifying. The older types of Illustrator used to pick anchor facets in accordance with stacking order as opposed to proximity to the cursor, which is now fixed. making a choice on is additionally made more straightforward by way of highlighting the anchor features and paths as you mouse over them—paths are indicated by using a black square subsequent to the arrow and anchor features are indicated through a white square.

    click on for animation

    As which you could inform by way of the animation, this makes working with complex paths a lot more straightforward, and it reduces loads of redundant choice making an attempt to get to the anchor elements you simply need to take care of. you could extra customise the habits of this in the application's Preferences:

    For such a simple trade, the new anchor element managing truly adds a whole lot.

    a different issue so that you can definitely please avid Illustrator users is the capability to align and distribute chosen aspects, not just objects. opt for any dissimilar anchor elements and watch in ask yourself as the hamsters inside Illustrator CS3 busily organize the facets for those who click on align:

    click for animation

    it's truly a fine addition, but here is one more element that just makes experience to have, and users of the venerable FilterIt plug-in have had this capability for ages now. bound, it be not exactly fair to assert utility is rarely comprehensive if it doesn't have the equal third party plug-in already put in, however aligning chosen points is the sort of simple thing for Illustrator that it be variety of stunning or not it's taken 13 models for it to make it into the app. naturally FilterIt turned into just filling a primary want here, and it had the delivered expertise of being a tool invoked by means of a keyboard shortcut; some thing you cannot do with the align options in AI CS3. nevertheless, for everyday Illustrator use, here is a huge plus, so I can't complain.

    Isolation mode

    a big improvement in illustrator CS3 is its handling of objects and groups/subgroups within the "I think he may be depressed"-named Isolation mode. in case you had a group of objects and inside these you had subgroups, older models of Illustrator weren't very respectable at dealing certainly with this, so CS3 has cleaned up the entire process and makes dealing with subgroups painless.

    A masks neighborhood is double-clicked to edit the contents of the mask. click on for animation.

    Checking the correct of the window shows what degree you're in within the corporations:

    This isolation mode menu is likely established to Flash clients, and if you happen to've created Flash-competent symbols, this enhancing hierarchy works a lot the same as in Flash. when you've edited one of those symbols in the Isolation mode, the others replace for that reason. Isolation mode universal is at last a superior scheme for coping with many subgroups, and it's going to support obviously manipulate better illustrations.

    Eraser device

    it could seem fairly primary to have an erase device in Illustrator, however vectors are extra advanced than just overlaying some pixels, so it's relatively comprehensible that it's new. In older version of Illustrator, if you wanted to cut a flowing brush stroke out of a letter for a logo, it become a multistep technique: make a brush stroke over some outlined text with a customized brush, flatten the path so it turned into outlined, after which do a front-minus-returned Boolean operation in the Pathfinder palette. pretty straightforward in itself, however if you happen to start so as to add layers and corporations to this, it receives complicated. In AI CS3, the eraser tool allows you to do this in one brush stroke—while respecting objects on dissimilar layers and any latest outcomes:

    it's additionally relatively candy for making rounded trims which have a more biological think.

    if you grasp down option/alt, the eraser turns into a square marquee choice that subtracts a rectangle from objects.

    but the eraser tool doesn't work always. if you go over a stroked object, you'll get combined results:

    additionally, it would not do photograph masks, so when you have a posh illustration, these two obstacles will force just a little of a workaround by way of outlining all strokes. it would have been excellent if the eraser device had this as an automated choice.

    Crop area device

    while Illustrator already contains the ability to make crop marks for printing output, CS3 now adds a crop device feature it is used extra like a slice however with subtly diverse utilization, and unlike slices, varied crop areas (created by choice dragging with the device active) don't chew into different crop areas. they're like visual workspaces, and for issues like packaging, where it may also be a little tough to ascertain what one fold may additionally seem like, it makes short work of previewing that half in context:

    My EP art cropped to the entrance face.

    The old means changed into to make four white bins around your workspace so that you could get a suppose for what the cropped artwork would seem like. It become pretty ghetto and a large waste of time. additionally, that you would be able to immediately make a crop enviornment around selected objects. These crop areas can then be used as slices for keep for web, document bounds for PDF export, or as reference frames for alignment and distribution, so it in reality has the competencies to save work.

    but, in what is starting to sound a little repetitive, the crop device is barely shy of being polished. while it works nicely as a preview for cropped documents, you cannot create your own presets, which appears to fly in the face of AI CS3's entire empowering of the user. I do these techno vinyl sleeves lots, and seeing this lengthy list of video alternatives once I simply want a 12"x12" preview crop for the front and the again is a bit traumatic:

    My kingdom for a vinyl cowl and single page of our journal preset

    On right of that, crop areas cannot be promoted to slices, you can not alter the colour or the opacity of the overlay, and PDFs exported with the cropped areas did not use bleed or crop marks. creation of the packing containers is finicky, too: they cannot be alternative-dragged like slices, and copying and pasting between sizes in files is inconsistent and frustrating. For the crop tool to be in fact tremendous, it would have the customizable presets of document profiles and the capacity to have an InDesign-like 100 percent opaque trim preview. As is, it's a decent device for artwork with assorted supposed outputs (DVD interface, enterprise card, and so on.), however's needlessly constrained.

    improved colour points

    until you might be goth, you then're doubtless using color in Illustrator, and adjustments to colour facets are more likely to affect non-vampire specialists. New in Illustrator CS3 is the potential so as to add a bunch of colour swatches from selected objects.

    The resulting swatches are automatically grouped into the brand new colour agencies within the swatches palette:

    choose all and colours from the option are delivered to a newly created colour neighborhood.

    it be a true time-saver and for maniacs that work with significant Laura Ashley-esque palettes, your lives are about to get less complicated, if a bit too floral.

    reside colour

    by using a ways the greatest new function in Illustrator CS3 are the new color coping with tools in are living colour. any person who works in color doubtless spends a good portion of their time trying to discover palettes that work collectively. here is less complicated stated than carried out, and unless you are Matisse or Warhol, this process can really slow you down. in the past, when I've discovered myself in a pinch for a good colour scheme, I've used third-party utilities or color pickers, but the leading challenge with these is that when you get their swatches into Illustrator, they regularly shift considering that they aren't the use of the same color tech as Adobe, in order that limits their usefulness as aids.

    thankfully Adobe has picked up the reins, and the colour equipment in reside colour—which is purchasable from the swatches or handle palette—are in fact stellar. utilization of live colour is most efficient understood by an instance. let's say you are in palette hell, but you know you want at least five colorations to complement each and every different. You might use a color you adore as a place to begin for a new scheme:

    Experimenting in a non-teen way.

    colours can also be assigned to specify which of them are locked in order that any brand colours or pantones can remain untouched whereas others movement. which you can retailer the resulting palette as a colour group (indicated within the Swatches palette via a folder on the left), and once you've assigned these swatches to facets, that you would be able to further interactively work on the overall color scheme as a whole inside your paintings:

    editing the colour neighborhood inside reside colour.

    As you can see with the aid of all the sliders, knobs, and buttons, live colour is awfully effective, and nothing is not noted. There in reality is only one difficulty with live colour: it be not in InDesign as neatly. i use this commonly satisfactory now for layouts that I've acquired Illustrator open when doing pages in InDesign, simply to toss colour ideas round. it's develop into pretty worthwhile.

    DeviceN color assist

    On the technical aspect of colour, Illustrator CS3 now supports DeviceN colour house for PostScript 3. you could now area duotone or separated Photoshop photos in Illustrator and maintain the file's native color space, so this could suggest now not desiring workarounds for keeping apart complicated art in Illustrator.

    Flash integration

    lots of the source cloth for advanced Flash info is likely created in Illustrator, so now that Adobe owns Flash, it be fair to say we will be seeing more integration between both programs. apart from being in a position to export to a static .swf file, you've got the capacity to open Illustrator CS3 info at once in Flash (but now not the reverse) as well because the means to create Flash symbols in Illustrator. The essential advantage of the latter is that the time spent constructing a stage will also be shortened through organizing and naming situations for animation.

    Hit F8 and also you are caused by means of the regularly occurring Flash symbol creation dialog

    you can set the registration of the item in order that reference elements for animation/rotation may be made less complicated. Then that you can extra assign an instance name for ActionScript routine:

    And for textual content, you could set even if the text container is static, dynamic, or enter text.

    creation of fancy loader photos simply got less difficult

    after you have your symbols created, that you would be able to import the Illustrator itself directly into the Flash stage:

    With our symbols preserved, we're also given the choice of atmosphere our Flash document bounds to the measurement of the Illustrator document. once imported, all the layers are preserved, and the names are intact:

    The paintings is preserved with transparency intact

    This whole manner is awfully smooth and, combined with the Isolation mode, is an elegantly implemented capability of dealing with symbols in Illustrator. unluckily, it stops just wanting assisting hold artwork design centralized inside Illustrator given that the import technique is a one-shot deal. Flash can not reference the imported Illustrator paintings like After outcomes or InDesign references exterior files, so this single import is a committed affair. additionally, if you paste a symbol into Flash that has the identical name, it would not on the spot you to substitute the present merchandise. this is more of an argument for Flash, but because the connection between Flash and Illustrator is tight, it could were pleasant to look a deeper integration as not obligatory.

    because it stands, this may save some time for certain, but I cannot assist feeling like the implementation lacks the vision for a truly integrated scheme. however I can't be too complicated on the Illustrator team on the grounds that the Macromedia acquisition is relatively fresh, and restructuring building between the two apps isn't a small affair. i am bound that given Adobe's big dimension, simply having an off-the-cuff dialog between departments requires attorneys to talk to the water cooler corporations about what Monday comic story to make use of.

    extended drawing efficiency

    For Intel Mac clients, it won't come as a great deal shock to be taught that Illustrator CS3 is tremendously sooner than working CS2 in Rosetta, but the decent information is that home windows clients and Mac clients with older hardware will additionally improvement from the upgrade on account that the drawing engine in Illustrator has been fully overhauled for swifter rendering. The established consensus on the velocity raise is that it be 15-30 percent faster, and checking out on my first-gen PPC G5 suggests that vague and untestable determine is lifeless on—give or take a percentage factor. but significantly, individuals, it does draw a bit faster, and if you're on an Intel Mac, the upgrade is a no brainer. efficiency on my MacBook professional is extremely good, and it is far sooner dealing with advanced art than on my dual G5.

    Conclusion

    I bet you can inform through my tone that it's a bit challenging to get excited concerning the Illustrator CS3 improve. What it does, it does smartly sufficient, but this is a relatively quick evaluation, and yet I've coated relatively an awful lot all it is new to Illustrator CS3. I remember things just like the DeviceN and the brand new rendering engine are massive below-the hood advancements, and these low-degree engineering issues likely consumed a large chunk of development time for Illustrator CS3. however faster rendering, improvements to the control palette, library managing, document presets and Isolation mode (which is a 2nd take at shoddy subgroup coping with) believe like someone making an attempt to promote their new, working bladder as anything to get excited about. apart from live color and the brand new CS3 interface, the What's New element of Adobe Illustrator CS3 documentation reads a little bit like a padded résumé, and what's new is not flawlessly completed (crop area and eraser tools). in line with what I have been capable of get in plug-ins for a long time and years of personal Illustrator use, it's now not challenging to come up with improvements that could positively have an effect on a broad latitude of Illustrator clients:

  • ability to choose and move varied Bezier handles without delay (from the now-defunct Vector Studio) or as a minimum deal with Bezier handles like anchor elements in order that transforms can also be repeated for route tweaks. This would make the lives of fontographers and individuals who make emblems an awful lot easier.
  • An up-to-date 3D tool. implementing whatever thing like After consequences' camera-primarily based 3-D rotation would support make 3D scenes that have been constant as a substitute of getting to haphazardly are trying and healthy views for individual objects within the scene. also, adding CADTools or SketchUp-like interactive extrusion aspects could be a better strategy for developing 3D objects inside a scene.
  • Maya-vogue paint alternative and paint attribute weights. suppose of how first-rate it could be to be able to brush out the amount of envelope effect on a collection of anchor features. since most effects are reside, this might be a betterlogical step.
  • I do not suppose or not it's too an awful lot to ask that the bar be set somewhat bigger for what Illustrator may still be capable of do. With Adobe's buyout of Macromedia, Illustrator has misplaced its main competitor (Freehand), and that i individually concern that this may create a blinder impact for the Illustrator group. The remaining issue we desire is a utility journey on the monopoly educate to boredom city, à la a right here-unnamed layout application made through a company whose name starts off with "Q" it's unexpectedly dropping market share. but I digress.

    In conclusion, the Illustrator CS3 improve is respectable however not high-quality. if you spend a major amount of time in Illustrator, then the live color feature alone is a very compelling reason to upgrade. if you are on an older PPC computing device, then the drawing efficiency improvements are also a boon, and Intel Mac clients don't deserve to debate the should upgrade. but if you buy, just be organized for much less CS3 and more of a CS2.5.

    execs
  • are living colour is staggering and does far more than a normal color wheel
  • quicker drawing engine
  • Very quick on Intel Macs
  • Align and distribute works on aspects now
  • DeviceN colour house help
  • stronger integration with Flash
  • CS3 interface is clear and well-organized
  • Isolation mode makes subgroup and object editing plenty clearer
  • Cons
  • Meager improve; a lot of what's new seems like modernization, no longer innovation
  • gray interface choice lacks polish
  • Crop enviornment device lacks customizable presets and options

  • down load Adobe creative Suite 2, including Photoshop and Illustrator, for free of charge | killexams.com Real Questions and Pass4sure dumps

    windows/Mac: if you are now not in want of the newest and most suitable Adobe utility, the business is presently providing the 2005 version of its creative Suite, which includes Photoshop, Illustrator, InDesign, and more, for gratis.

    To get the free downloads, you want a free Adobe Member account. when you register (the member software page is slightly gradual this morning) you can down load the entire suite or particular person functions for free. that you could get:

  • Adobe inventive Suite CS 2
  • Acrobat 3D
  • Acrobat normal 7.0
  • Acrobat pro 8.0
  • Audition three.0
  • GoLive
  • Illustrator
  • InCopy
  • InDesign
  • Photoshop
  • Photoshop points
  • Adobe Premier professional
  • The software's a bit out of date at this element, but if you have got an older desktop or you conveniently are not looking for the entire new bells and whistles, CS2 will definitely suit your wants. The suite has a little predicament operating on more moderen operating programs, however try the Slickdeals discussion board thread for some counsel on getting it working on windows 8 and new Mac working programs. The hyperlink has been working intermittently all morning, so if you are having obstacle getting through are trying once more later nowadays.

    update: It feels like the whole thing become somewhat of an accident. in keeping with Adobe boards staffer Dov Isaacs, Adobe is comfortably terminating the CS2 activation servers nowadays, and for anything motive that lead to an exquisite primary method to download and register CS2 at no cost.

    Abobe CS 2 | Adobe by means of Slickdeals


    Adobe CS2 is purchasable for free -- kind of, probably, no longer in reality, but completely | killexams.com Real Questions and Pass4sure dumps

    Adobe has published a public CS2 down load page with hyperlinks to a bunch of older applications -- the full artistic Suite 2.0, Acrobat professional 8.0, Audition three.0, GoLive CS2, Illustrator CS2, InCopy CS2, Photoshop CS2, Photoshop aspects 4.0/5.0, most advantageous seasoned 2.0 -- as well as the serial numbers required to set off them.

    As quickly because the page was seen, varied studies regarded recommending what looked like a superb freebie. but what’s in fact going on here? It’s complicated to claim.

    First, Adobe’s Dov Isaacs posted a forum message saying that the business become "absolutely not presenting free copies of CS2!" apparently the CS2 activation servers are being terminated, and these builds and serial numbers are meant for current licence holders to make use of as an option.

    The business didn’t take the CS2 web page down, even though, or add a warning or explanatory message, or do anything else to hold people away.

    basically, Adobe has completed the contrary. in the beginning you vital to log in via your Adobe account to view the download web page; now it's freely accessible to everyone. It looks like the enterprise have accepted that there’s no placing the cat back within the bag, and whatever thing the fashioned intention, CS2 is now attainable at no cost.

    We might also discover for certain in day after today or two, if Adobe issues a statement or add further assistance to the CS2 down load page which entirely explains the condition.

    but when, meanwhile, you are looking to pattern a CS2 software or two then they’re all competent and ready.

    You do should bear in mind the age of these classes, even though. CS2 turned into released in 2005, and written for home windows 2000 and XP. Even getting the apps installed on a contemporary pc can require some work, and there’s no telling what concerns might crop up later.

    We managed to correctly comprehensive a couple of installations on windows 7 x64, although, and have written up the a number of issues we encountered along the manner. take a look at the download pages on artistic Suite 2.0 and Adobe professional 8.0 for extra tips.

    photograph credit: Denys Shentiapin/Shutterstock


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    How QuarkXPress became a mere afterthought in publishing | killexams.com real questions and Pass4sure dumps

    Grep support for find/replace

    This may seem really nerdy, but for productions that have people who write AppleScripts to deal with issues, having a powerful Unix regular expression text tool like grep solves a lot of problems. The above apostrophe find/replace would be done with the grep pattern “l’.”, meaning “match l’ and any following character.” If you have an entire phonebook of mistyped phone numbers that appear at the end of the line, it's dead simple to fix with grep:

    Previewing the effects of my grep regular expression in the Patterns application. The "$" means "end of line" in grep. Enlarge / Previewing the effects of my grep regular expression in the Patterns application. The "$" means "end of line" in grep. The ability to open QuarkXPress files

    This bit of reverse engineering didn’t work on later Quark documents, but most companies debating the switch were probably still on Quark 3 or 4. Output from those could be converted by InDesign. This ensured companies would lose a lot less time when migrating to Adobe's program.

    Mac OS X support

    Adobe knew this was a biggie, and it was way ahead with OS X support for InDesign.

    Anti-aliasing of on-screen text

    Considering this was the early 2000s, you got a much better feel for a printed page on a 1280x1024 screen with InDesign's anti-aliasing.

    More text wrapping features and manually editable runarounds

    The ability to tightly hone finicky runarounds was a big deal.

    Nested style sheets

    The value of this one also can't be overstated. It used a set of user-created rules to follow for things like formatted lists so you could do back-of-book content like indexes without manually setting each element:

    All of the above is handled by one nested style sheet. If you made your living doing stuff like travel guides, this one feature alone was worth a year's salary and your firstborn.

    Overprint preview and separations preview: Previewing postscript overprints in InDesign CS—this would have been done by an expensive proof from your prepress house with QuarkXPress. Previewing postscript overprints in InDesign CS—this would have been done by an expensive proof from your prepress house with QuarkXPress.

    Since that could potentially put you over the ink limit for your paper—which causes smearing and can potentially break the paper on Web presses—InDesign CS also had an ink limit warning:

    This was the beauty of InDesign CS: it gave you tons of creative tools, plus the technical tools to make sure you were within spec when trying those creative things. The stuff like nested stylesheets and grep gave you formulas to deal with repetitive tasks so you could spend more time being creative.

    I know it seems excessive to cover this much of InDesign in an article about QuarkXPress—I probably look like an Adobe shill at this point—but it’s important to understand just how far ahead the competition was. This is the main reason Quark lost its dominant position in the print industry. To sum up how InDesign was received by big clients and how thoroughly it shamed QuarkXPress in every way, here is a lengthy quote from a former colleague of mine Denise "Ace" Williams who spent five years managing production for weekly newspapers that used Quark:

    Quark 5 and OS9 was what we were used to, but it was pretty miserable. The things that stick out:

  • Restarting your computer and losing your unsaved work over software freezes was a regular part of your day. Like, many times a day.
  • We had all these crazy workarounds to achieve certain effects like drop shadows or change-and-repeat. It was all pretty rudimentary and hard to standardize across many designers in a department.
  • Shapes were pretty much a non-issue, so we had to do everything supplementary in Illustrator. Text and image display were awful. We printed to see what we were doing.
  • We were, of course, still importing images directly into boxes by browsing for files from Quark. [Quark only got drag and drop with version 8. Let me reiterate—8 as in “eight.” That’s not a typo.]
  • Those things are all quantifiable productivity sinks that should have been addressed in Quark 6, but Quark was so comfortable in its position of power that it missed its chance. It put out a mediocre release that forced everybody to upgrade just so they could have a few overdue meager enhancements like compatibility with OS X (for real, that was the big sell, as if it was a treat) and, I think, drag and drop image placement from a finder window. Maybe a drop shadow? The thing is, there could have been more, but nobody remembers stuff that doesn't impact their daily workflow. I think everyone who cared felt like they'd been disrespected by that release.

    And then InDesign CS2 was released in 2004 or so, and I remember being at an AAN (Association of Alternative Newsmedia) conference in a room full of production managers from all over North America at a session comparing Quark 6 to the new InDesign. InDesign had so many beautiful, necessary features that it really felt like Adobe had locked users (like us, our people) in a room for a year until they came up with all the right ideas: stability, autosaves, shapes and paths, real image and type representation, drag-and-drop, customizable keyboard shortcuts, effects, repeats. All our habits had been supported and standardized and simplified.

    We all actually got emotional. The room was nuts. The Quark reps were humiliated. It was so obvious that all this stuff was going to take the friction out of our departments, which sometimes moved up to 200 ads a day. I remember this PM from Brooklyn sitting beside me who grabbed my arm partway through the demo, and we actually held each other while we listened. CRAZY.

    The thing is, the effort and risk of changing a whole company to a new piece of software is so great that that release still wouldn't have swayed us if Quark had actually done its job with Quark 6 and made a competitive update. But it didn't, and the time, job happiness, and financial implications of switching to CS2 were super crystal clear. Everybody did it.

    I did it for the Santa Barbara Independent, and it was a months-long process of testing, file conversion preparation, and training to make sure that our conversion week wouldn't implode when it happened. But once you've switched, you're done. As Quark should have known in the first place, it's almost impossible to get people to go back again without a super compelling reason. Maybe they implemented all those awesome things in a later version, but we would never know.

    That last line is really the clincher. Having lost its users who only begrudgingly endured it to begin with, Quark would never win them back with a few nice features because of the effort it takes to migrate publications.

    The other factors in InDesign’s rise: Price and bundling

    When I reviewed InDesign CS, I was also testing the waters to see if we would migrate our relatively simpler fashion magazine from QuarkXPress to InDesign. As if the feature set alone wasn’t enough to snag us, take a look at the prices back then:

    InDesign CS: $699.00 QuarkXPress 6: $945.00 QuarkXPress 6 Passport: $1795.00

    Adding insult to injury, InDesign CS shipped with all the language features of QuarkXPress Passport. And things got even worse for Quark when, in 2003, you could get InDesign as part of the newly introduced Creative Suite Bundle, which as a publisher or graphic designer, you would have probably bought anyway for Photoshop and Illustrator. You were basically getting InDesign for free—it was a Trojan horse in the bundle box, and I think it really sealed the deal for people on the fence about the switch. The fall of Quark could just as easily read “the very smart business dealings of Adobe.”

    A steady path to ruin

    In the face of all this innovation and competitive pricing from Adobe, Quark blindly continued to charge too much for upgrades, pretending like nothing had changed. The company offered more meager upgrades at too-high prices and still charged a ridiculous amount for a multi-language version. For our mag, there was no Canadian English version of QuarkXPress ever. When I reviewed InDesign CS1, it also didn’t have one, but this support was eventually added—Adobe fought to win over every user with early versions of InDesign, and it showed. It took Quark until version 7 to add Opentype, Unicode support, PDF-X, and transparency. To repeat that: it took until 2006 for XPress to finally do transparency—without overprints or tricks that meant trips to a PostScript laser printer to see.

    To be fair, QuarkXPress did have areas of strength. It had a lead on InDesign in terms of Web support and output. While InDesign stormed ahead with features that appealed to designers and art directors, Quark made a go at including Web features in XPress. The convergence of media was a no-brainer, and I knew of one art director who used Quark for both his magazine output and the Web version of his magazine.

    But it was a kind of nuts-and-bolts addition that seemed hard to love for people who loved print. The Web at that time was not the sexy CSS and live-type beast it is now. Instead, InDesign succeeded at getting people excited by the improved and creative print design that you could do, not the fact that you could spit it out for the lesser medium that you begrudgingly knew would eventually put you out of business. I’m sure there were many designers that were excited by the Web, and I had enough time to learn to code and do some interactive Flash stuff. But if you’ve ever lovingly designed a gate-fold double 10-inch LP or leafed through the exquisite, multi-plate and custom-paper pages of IDEA Magazine, it’s hard to get excited by the scratchy window of a jewel-cased CD. The Web was even less attractive in the early 2000s. So giving us features for the Web was a bit like handing an oil painter a box of Corel Painter. Telling them “this is the future” doesn’t make it suck any less compared to what you had before.

    Quark also clearly avoided features that treaded the same ground as InDesign, which the company probably thought would confirm its status as the more full-featured program. So Quark 8’s new tools focused on trying to tie press workflows to user workflows to eliminate the need for preflighting, but it was a complicated process that, if you tried to use on a regular basis, would have distracted you by false positives while you should just be doing layouts with decent tools.

    InDesign Creative Cloud: Echoes of Quark

    All this love for InDesign could be read as a ringing endorsement for the current versions of Adobe’s flagship layout program, but that’s definitely not the case. InDesign is not perfect, and Adobe’s abysmal Creative Cloud license policy has really shown the company's true colors when it comes to exploiting monopoly.

    With my main magazine contract, we tried to make the switch from InDesign CS5 to CS6 because we, like everyone else, wanted to avoid hooking up to the great wallet-milking machine that is the Creative Cloud rental model. Quickly, it became clear that this couldn’t happen. The application crashed a ton when linking Incopy text, a problem reported in CS5.5. But Adobe apparently couldn’t have been bothered to fix it, and I’m sure it’s probably getting plenty of attention now that Adobe holds the keys to InDesign Creative Cloud documents. Sound familiar? A leading company gets too comfortable and stops paying attention. The shoe is apparently on the other foot now. Like the XPress days of yore, our publication is using InDesign (CS5) to avoid a company's cash-grab. Adding insult to injury, today's InDesign still lacks an alien that can zap my text boxes with flair:

    Those last QuarkXPress holdouts don’t seem so shortsighted these days. Unless Adobe changes its path of user neglect and profit at all costs, some of us could be joining forces with the aliens yet again. Hopefully, QuarkXPress’ demise is one big lesson that all software publishers, no matter how dominant, have internalized: listen to your users and respect them.


    12 Beginner Tutorials for Getting Started with Adobe Illustrator | killexams.com real questions and Pass4sure dumps

    Adobe Illustrator, the industry-standard vector graphics application, is the tool you use when you need flexible, scalable vector graphics such as logos and artwork that will be printed in various formats, mediums and sizes.

    Illustrator's huge array of digital drawing features makes it a favorite amongst illustrators and print designers, but for those just starting out, the application can be intimidating. To help set you on your path to Illustrator mastery, here are some great beginner-level Illustrator tutorials that cover the fundamental tools and techniques.

    If you have tips for aspiring Illustrator pros, share them in the comments below.

    First thing's first: You need to familiarize yourself with Illustrator's graphical user interface. This quick and easy-to-read tutorial talks about Illustrator's workspace, pointing to areas such as the Tools panel, the Status bar, the Artboard where you craft your vectors, and so on. It also touches upon how to create your first Illustrator document, as well as the different items you can find within the Tools panel.

    The primary drawing feature of Illustrator is the Pen tool. If you have aspirations of becoming an Illustrator ninja, you'll need to have a strong command of this tool. This Illustrator tutorial from Vectortuts+ (a leading vector graphics tutorial site) covers all the things you need to know about this powerful, but oftentimes daunting, tool.

    The tutorial covers the concept of Bezier curves, which are used to draw shapes with smooth curves, the need-to-know keyboard shortcuts, and even provides a practice sheet that you can download and import into Illustrator to help you practice your vector-drawing skills.

    The Blend command is deceptively simple in function. It takes two or more shapes or colors, and then blends them together smoothly. But as this Illustrator tutorial will show you, the Blend command is a very effective feature for crafting stunning graphics effects quickly and easily.

    Live Trace, which appeared in Adobe Illustrator CS2, is a game-changer. Before Live Trace, an artist sketching an art piece using pen/pencil and paper would have to scan their work into Illustrator, then spend hours manually tracing it with the Pen tool and other Illustrator functions.

    When Live Trace was introduced, this process was made simpler through automation, saving you precious hours. From sketch drawings to photographs that need to be converted to vector graphics — Live Trace is an excellent option to try. This tutorial goes over the process of using Live Trace by using a stock headshot photo, discussing how to execute Live Trace, the various options, as well as showing off a handful of examples of where Live Trace has been used in existing artworks.

    Illustrator is also a popular graphics application for print designers. From logos, business cards, and brochures, all the way up to posters and large billboards, Illustrator can help you make flexible and scalable designs.

    A big part of print design is quite obviously text. This Illustrator tutorial will help you begin to explore the Type tool. It covers ways you can set text on vector paths for unconventional text flows, talks about the associated panels such as the Character and Paragraph panel, and provides useful keyboard shortcuts.

    Using patterns allows you to make repeating graphics. Experimenting with patterns can lead to excellent artwork that looks like it took days to complete.

    Creating custom pattern brushes and applying them to vector shapes is covered in this Illustrator tutorial.

    Effects in Illustrator allow you to add all sorts of wonderful graphic treatments to your artwork. From applying 3D effects to creating faux colored pencil looks, this set of Illustrator features will let you rapidly enhance your work with a few clicks of the mouse.

    If you'd like to discover the abilities of Illustrator effects, check out the above tutorial, which discusses various processes — such as Roughen and Scribble — as well as the Appearance panel, which allows you to modify applied effects, among other helpful tips.

    The Gradient panel in Illustrator is a wonderful feature for applying color and pattern gradients to your work. Gradients allow you to stylize your graphics such that they have smoothly blended fills or strokes.

    Learn everything you need to know to get started with gradients from this tutorial, which discusses topics like applying gradients, modifying the angle and direction of the gradients, saving gradient swatches, and more.

    In Photoshop, a sibling of Illustrator, strokes (creating an outline around the edge of an object) seem like an afterthought. But in Illustrator, where your vector paths take center stage, the stroke feature is very important to master.

    This Adobe Illustrator tutorial covers the use of the Stroke panel in creating vector objects.

    The Pathfinder panel is a popular time saving feature for working with shapes and paths. This panel is a collection of commands that allow you to unite, divide, and subtract two or more shapes, among other functions. Utilizing these commands gives you the ability to draw complex vector graphics using basic shape tools.

    Learn how to use the Pathfinder panel with this excellent Illustrator tutorial.

    Don't have a steady hand? Having trouble drawing shapes that align with one another? Smart guides give you snapping features that will enable you to draw objects more accurately.

    Explore the fundamentals of Illustrator's smart guides through this beginner-friendly tutorial.

    Brushes in Illustrator are a quick way to save objects that you will reuse later in your projects. Art brushes, for example, take a vector object that you've drawn and allow you to then apply those objects later as strokes or fills of other vectors.

    In this step-by-step guide, you will discover the awesomeness of custom brushes in Illustrator.

    These 12 tutorials will set you on your path to Illustrator mastery. If you’ve had success with other tutorials not on this list, let us know about them in the comments below.

    More Dev & Design Resources from Mashable:

    - 40+ Web Design and Development Resources for Beginners- 10 Free and Fun Twitter Bird Icons for your Website- 11 Ways to Speed Up WordPress- 10 Free Wireframing Tools for Designers- 10 Beautiful Free Hand-Drawn Icon Sets


    Download Adobe Creative Suite 2, Including Photoshop and Illustrator, for Free | killexams.com real questions and Pass4sure dumps

    Windows/Mac: If you're not in need of the latest and greatest Adobe software, the company is currently offering the 2005 version of its Creative Suite, which includes Photoshop, Illustrator, InDesign, and more, for free.

    To get the free downloads, you need a free Adobe Member account. Once you sign up (the member application page is a bit slow this morning) you can download the entire suite or individual applications for free. You can get:

  • Adobe Creative Suite CS 2
  • Acrobat 3D
  • Acrobat Standard 7.0
  • Acrobat Pro 8.0
  • Audition 3.0
  • GoLive
  • Illustrator
  • InCopy
  • InDesign
  • Photoshop
  • Photoshop Elements
  • Adobe Premier Pro
  • The software's a bit outdated at this point, but if you have an older computer or you simply don't need all the new bells and whistles, CS2 will certainly fit your needs. The suite has a little trouble running on newer operating systems, but check out the Slickdeals forum thread for some tips on getting it working on Windows 8 and new Mac operating systems. The link has been working intermittently all morning, so if you're having trouble getting through try again later today.

    Update: It looks like the whole thing was a bit of an accident. According to Adobe Forums staffer Dov Isaacs, Adobe is simply terminating the CS2 activation servers today, and for whatever reason that lead to a pretty simple way to download and register CS2 for free.

    Abobe CS 2 | Adobe via Slickdeals



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