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9A0-057 - Adobe IIIustrator CS3 ACE - BrainDump Information

Vendor Name : ADOBE
Exam Code : 9A0-057
Exam Name : Adobe IIIustrator CS3 ACE
Questions and Answers : 130 Q & A
Updated On : January 23, 2019
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9A0-057 exam Dumps Source : Adobe IIIustrator CS3 ACE

Test Code : 9A0-057
Test Name : Adobe IIIustrator CS3 ACE
Vendor Name : ADOBE
Q&A : 130 Real Questions

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Adobe Illustrator CS3 | killexams.com Real Questions and Pass4sure dumps

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    Adobe Illustrator CS3 company: AdobeOperating system aid: home windows XP SP2, Vista domestic premium or greater, Mac OS X 10.4.8Price: Illustrator CS3 full edition: $599; improve from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    ordinary, the transition to Mac OS X changed into especially easy, but one of the rough periods for skilled image designers become Illustrator 10. this first native OS X version became the poster baby for reasons to attend to flow to Mac OS X on older hardware, in view that everything become glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there have been worse culprits for sure.  finally, updates made it incrementally sooner, and with edition 12, it was eventually zippy ample to run on a first-gen G5 devoid of feeling such as you were designing in bullet time.

    okay, it wasn't that bad, but Adobe knew it had considerations with the older code; with CS3, they've absolutely overhauled the drawing engine to get a much greater raise and produce an conclusion to any nostalgia for the speedy—yet crashy—days of yore. Of direction, this update also comes with generic Binary Intel Mac aid, a brand new interface, and a few things called "new features" that we are going to also take a glance at. So with out further ado...

    device necessitiesMac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.eight
  • 512MB of RAM (1GB suggested)
  • 2.5GB of attainable hard-disk area (further free area required during installation)
  • DVD-ROM force
  • windows
  • Intel® Pentium® 4, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or compatible) processor
  • Microsoft® windows® XP with provider Pack 2 or windows Vista™ home top rate, business, gold standard, or business (certified for 32-bit editions)
  • 512MB of RAM (1GB advised)
  • 2GB of attainable difficult-disk space (additional free area required all over installing)
  • DVD-ROM power
  • notice that none of the CS3 purposes are sixty four-bit. The Mac version requires more room on account of the standard Binary utility layout.

    examine hardwareMacBook professional Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.four.9
  • Mac seasoned 2.sixty six GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.4.9
  • twin G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.4.9
  • Illustrator CS3 interface

    As you may have guessed in case you've been following the different CS3 updates, Illustrator CS3 now sports the clean darker grey palettes and handy docking scheme and icons seen in Photoshop and InDesign CS3:

    click the double arrows to extend the width of the dock to the entire docked panel mode

    during this docked mode, all the panels sit linked vertically so that slivers of the computing device not distract you from between your palettes. It helps isolate your workspace properly, and as become stated in our Photoshop overview, the brand new seem to be is very clean and reduces litter while nonetheless supplying you with access to everything you need to have at your fingertips, maximizing area utilization for these of us who do lots of work on our laptops. The icons themselves are very clear, and most take little work to internalize their that means. It took me slightly to stop mistaking the Pathfinder icon for the Attributes considering the fact that both look like a Boolean knockout however that was a brief-lived and quite unexciting fight.

    while the organizational merits of the new scheme are pretty clear, the leading problem with them is that, since you are likely to soar between palettes in Illustrator a great deal, if you use the attached docked palettes, then all of them shift round to the element of being slightly complicated.

    click on for animation

    moving targets are not lots fun should you're a fast clicker, so that you could cut the shuffle, i take advantage of a mixture of the undocked, unstacked palettes with some docked icons to issues I do not want constant access to. however overall the clarity of the new interface is a welcome trade and makes working on a MacBook pro much less cramped for sure. in case you like an excellent more constant and muted workspace to pay attention to colour work, AI CS3 now has an option to set the interface tone to distinct shades of gray:

    This looks to be knowledgeable app feature that i'd constantly like to see, but in Illustrator, I consider like or not it's somewhat inconsistently executed, and the sleekness that you just're used to with After results or closing cut seasoned offers option to a form of selective paint bucket effect:

    The darkest gray environment with distracting white fields, edges and dialogs that do not reflect the darker grey scheme.

    it really is a miles cry from the "welcome to the long run" look of After outcomes and does a bad job of being less predominant. here's the kind of brief-and-dirty repair you'd are expecting from an organization much less equipped than Adobe. with a bit of luck it will be addressed before the subsequent important upgrade.

    Customizable manage palette

    Taking notes from InDesign, Illustrator CS3 now facets a more robust handle palette to supply access to commonly-used functions, which may also be customized to more suitable fit your particular person work stream:

    within the handle palette are a load of contextual alternate options; you probably have an anchor element chosen, you're given a bunch of recent selections inside the control palette:

    other than being capable of handle the anchor element's absolute position (cropped at the appropriate), you could convert it to a nook point/clean element, eliminate it, connect it to one other conclusion aspect, divide the path at the aspect selected, or align objects and chosen features, which is coated in more depth later.

    if you happen to opt for an object with an impact on it, the handle Panel presents alternatives for these consequences:

    and that's the reason Diebold the Montreal band, no longer every person's favorite vote computing device maker

    The outdated iteration of the control palette had some of those alternate options (the category alternatives are mostly unchanged from CS2) however failed to go as far as CS3 does in having a one-stop area for the contextual handle. My best gripe in regards to the control palette is that the align alternatives nevertheless do not consist of the distribute alternatives, which is what I reach for half the time I open the Align palette. in any other case, it's well concept out and makes good use of the area. Illustrator is the sort of program that, if poorly thought out, might eat method too a lot space with its palettes and handle. fortunately, CS3 does what it will possibly to be powerful, customizable and clear.

    doc profiles

    really a great addition, Illustrator now has template profiles that exhibit up without delay in the new documents dialog, making it easier to create an internet, print, or video document with ordinary parameters for distinctive working eventualities.

    inside those options, there are suboptions for colour mode, rasterization decision, and environment pixel/overprint preview modes to be on by using default, as well as transparency grid settings. be aware that there continues to be no nonsquare pixel preview alternative for video documents.

    in case you deserve to have a custom structure, you can make a new document, and when you save it to the brand new documents Profiles folder, it becomes immediately obtainable in the New files dialog.

    My spread format looks in the New doc Profile part. For some reason, it rounds the 2nd decimal region and leaves the third out, even notion it preserves the precise 10.875” height within the document. somewhere there is a .05 of an inch floating around a black hole.

    All in all, apart from the new CS3 interface panels and docking scheme, it's a bit complicated to get excited in regards to the interface and doc preset/customization alternatives new to Illustrator CS3. they are long overdue, and that i've had a plug-in for years that let me save palette positions. here's really a case of catching up to what's been relatively normal for an expert photographs app for a while now.

    tool enhancements

    the majority of time spent in Illustrator is rarely constantly with filters; or not it's constantly spent simply coping with paths and tweaking, so CS3 hopes to make working greater efficient by means of upgrading the basics—the first of which is anchor factor highlighting and settling on. The older versions of Illustrator used to opt for anchor facets based on stacking order as adversarial to proximity to the cursor, which is now fastened. picking is additionally made less complicated with the aid of highlighting the anchor aspects and paths as you mouse over them—paths are indicated through a black rectangular subsequent to the arrow and anchor facets are indicated by way of a white square.

    click on for animation

    As that you could tell with the aid of the animation, this makes working with complex paths a whole lot easier, and it reduces lots of redundant selection attempting to get to the anchor points you simply want to take care of. you could additional personalize the habits of this in the application's Preferences:

    For such an easy trade, the new anchor point handling truly adds a whole lot.

    a further issue so as to in fact please avid Illustrator users is the skill to align and distribute selected facets, now not just objects. choose any distinct anchor aspects and watch in wonder as the hamsters internal Illustrator CS3 busily arrange the aspects when you click align:

    click on for animation

    or not it's truly a pretty good addition, but here's yet another issue that just makes sense to have, and users of the venerable FilterIt plug-in have had this capacity for a long time now. bound, it be not precisely reasonable to assert application isn't comprehensive if it would not have the equal third celebration plug-in already put in, however aligning selected elements is this type of primary element for Illustrator that or not it's type of shocking or not it's taken 13 types for it to make it into the app. obviously FilterIt turned into simply filling a simple need here, and it had the introduced skills of being a tool invoked through a keyboard shortcut; anything you cannot do with the align alternatives in AI CS3. nevertheless, for well-known Illustrator use, this is a huge plus, so I can not complain.

    Isolation mode

    a big development in illustrator CS3 is its managing of objects and agencies/subgroups within the "I think he may be depressed"-named Isolation mode. in case you had a gaggle of objects and inside these you had subgroups, older types of Illustrator weren't very decent at dealing naturally with this, so CS3 has cleaned up the complete process and makes coping with subgroups painless.

    A masks group is double-clicked to edit the contents of the mask. click for animation.

    Checking the exact of the window suggests what level you're in inside the agencies:

    This isolation mode menu is probably commonplace to Flash users, and in case you've created Flash-able symbols, this modifying hierarchy works an awful lot the equal as in Flash. once you've edited one of these symbols in the Isolation mode, the others replace thus. Isolation mode universal is eventually a pretty good scheme for coping with many subgroups, and or not it's going to assist clearly control bigger illustrations.

    Eraser tool

    it might seem to be fairly basic to have an erase tool in Illustrator, however vectors are extra complex than just masking some pixels, so it is fairly understandable that it's new. In older version of Illustrator, if you wanted to reduce a flowing brush stroke out of a letter for a logo, it was a multistep procedure: make a brush stroke over some outlined textual content with a custom brush, flatten the direction so it become outlined, after which do a entrance-minus-again Boolean operation within the Pathfinder palette. fairly simple in itself, but should you birth so as to add layers and groups to this, it gets advanced. In AI CS3, the eraser device permits you to try this in a single brush stroke—while respecting objects on distinct layers and any existing consequences:

    or not it's additionally pretty sweet for making rounded trims which have a more organic consider.

    in case you hang down option/alt, the eraser becomes a rectangular marquee option that subtracts a rectangle from objects.

    but the eraser device does not work continually. in case you go over a stroked object, you'll get mixed results:

    also, it does not do photo masks, so if you have a fancy illustration, these two limitations will force a bit of a workaround by outlining all strokes. it might had been excellent if the eraser tool had this as an automated alternative.

    Crop enviornment tool

    whereas Illustrator already comprises the potential to make crop marks for printing output, CS3 now adds a crop tool function it really is used more like a slice however with subtly distinct utilization, and unlike slices, diverse crop areas (created by using choice dragging with the tool energetic) don't chunk into other crop areas. they are like visible workspaces, and for things like packaging, where it can be a bit difficult to examine what one fold may look like, it makes short work of previewing that half in context:

    My EP paintings cropped to the front face.

    The old method turned into to make four white boxes round your workspace so that you might get a suppose for what the cropped art would seem like. It became pretty ghetto and a large waste of time. also, that you would be able to immediately make a crop area round selected objects. These crop areas can then be used as slices for save for internet, document bounds for PDF export, or as reference frames for alignment and distribution, so it in reality has the expertise to store work.

    however, in what's starting to sound a bit repetitive, the crop device is barely shy of being polished. while it works nicely as a preview for cropped documents, you cannot create your personal presets, which appears to fly within the face of AI CS3's total empowering of the consumer. I do these techno vinyl sleeves a whole lot, and seeing this long list of video alternate options after I simply desire a 12"x12" preview crop for the front and the back is a little bit annoying:

    My kingdom for a vinyl cover and single web page of our journal preset

    On accurate of that, crop areas cannot be promoted to slices, you can't adjust the colour or the opacity of the overlay, and PDFs exported with the cropped areas failed to use bleed or crop marks. creation of the containers is finicky, too: they can't be option-dragged like slices, and copying and pasting between sizes in files is inconsistent and irritating. For the crop tool to be basically excellent, it could have the customizable presets of document profiles and the capacity to have an InDesign-like one hundred percent opaque trim preview. As is, it be a good device for artwork with dissimilar meant outputs (DVD interface, enterprise card, and many others.), nonetheless it's needlessly constrained.

    greater colour elements

    until you might be goth, then you definitely're probably using colour in Illustrator, and adjustments to color points are prone to affect non-vampire specialists. New in Illustrator CS3 is the ability so as to add a bunch of colour swatches from selected objects.

    The resulting swatches are immediately grouped into the brand new color organizations in the swatches palette:

    select all and colours from the option are delivered to a newly created color group.

    it's a real time-saver and for maniacs that work with gigantic Laura Ashley-esque palettes, your lives are about to get more convenient, if a little too floral.

    are living colour

    via a long way the largest new function in Illustrator CS3 are the new colour dealing with tools in are living colour. anybody who works in colour probably spends a good component of their time attempting to locate palettes that work collectively. here's more convenient stated than executed, and until you're Matisse or Warhol, this system can in fact slow you down. during the past, after I've found myself in a pinch for a great colour scheme, I've used third-birthday party utilities or colour pickers, however the main issue with these is that for those who get their swatches into Illustrator, they frequently shift considering that they don't seem to be using the identical colour tech as Adobe, in order that limits their usefulness as aids.

    fortuitously Adobe has picked up the reins, and the colour tools in are living colour—which is attainable from the swatches or control palette—are actually stellar. utilization of live color is top-rated understood through an example. for instance you are in palette hell, but you be aware of you need at least five colorations to enhance every other. You may use a colour you love as a place to begin for a new scheme:

    Experimenting in a non-teen means.

    hues can be assigned to specify which ones are locked in order that any manufacturer colorings or pantones can stay untouched while others stream. which you could shop the resulting palette as a colour community (indicated in the Swatches palette through a folder at the left), and when you've assigned these swatches to facets, you could further interactively work on the typical color scheme as an entire inside your paintings:

    editing the colour community within live colour.

    As which you can see with the aid of all of the sliders, knobs, and buttons, reside color is very powerful, and nothing is omitted. There in reality is only one issue with live colour: or not it's not in InDesign as smartly. i take advantage of this regularly adequate now for layouts that I've acquired Illustrator open when doing pages in InDesign, just to toss color concepts around. it's turn into fairly priceless.

    DeviceN color guide

    On the technical aspect of colour, Illustrator CS3 now supports DeviceN color house for PostScript 3. which you could now place duotone or separated Photoshop pictures in Illustrator and keep the file's native colour house, so this may mean no longer desiring workarounds for isolating advanced paintings in Illustrator.

    Flash integration

    most of the source material for complicated Flash data is likely created in Illustrator, so now that Adobe owns Flash, it be fair to claim we will be seeing extra integration between both classes. apart from being capable of export to a static .swf file, you've got the potential to open Illustrator CS3 information at once in Flash (however not the reverse) as well as the ability to create Flash symbols in Illustrator. The most important knowledge of the latter is that the time spent constructing a stage can be shortened by using organizing and naming cases for animation.

    Hit F8 and also you are induced by using the accepted Flash symbol advent dialog

    that you may set the registration of the article in order that reference points for animation/rotation should be made less complicated. Then which you could further assign an illustration name for ActionScript activities:

    And for textual content, you can set no matter if the textual content container is static, dynamic, or enter text.

    introduction of fancy loader graphics simply obtained more straightforward

    after getting your symbols created, that you may import the Illustrator itself at once into the Flash stage:

    With our symbols preserved, we're also given the alternative of setting our Flash doc bounds to the dimension of the Illustrator doc. once imported, all the layers are preserved, and the names are intact:

    The artwork is preserved with transparency intact

    This complete procedure is terribly clean and, combined with the Isolation mode, is an elegantly carried out ability of coping with symbols in Illustrator. regrettably, it stops just short of helping preserve art design centralized within Illustrator on the grounds that the import technique is a one-shot deal. Flash cannot reference the imported Illustrator paintings like After results or InDesign references external documents, so this single import is a dedicated affair. additionally, if you paste a symbol into Flash that has the equal identify, it doesn't on the spot you to change the latest item. here's greater of an issue for Flash, but considering the fact that the connection between Flash and Illustrator is tight, it will have been first-rate to see a deeper integration as optional.

    because it stands, this can save some time for sure, however I can't assist feeling like the implementation lacks the vision for a very built-in scheme. however I cannot be too tough on the Illustrator crew for the reason that the Macromedia acquisition is relatively fresh, and restructuring construction between the two apps is never a small affair. i'm bound that given Adobe's big size, simply having a casual conversation between departments requires attorneys to consult the water cooler corporations about what Monday joke to make use of.

    expanded drawing performance

    For Intel Mac clients, it may not come as a good deal surprise to be trained that Illustrator CS3 is greatly faster than running CS2 in Rosetta, however the decent news is that windows clients and Mac users with older hardware will also improvement from the improve due to the fact the drawing engine in Illustrator has been completely overhauled for speedier rendering. The time-honored consensus on the pace increase is that it be 15-30 p.c faster, and checking out on my first-gen PPC G5 suggests that indistinct and untestable figure is dead on—provide or take a percent element. however severely, folks, it does draw a little sooner, and if you are on an Intel Mac, the improve is a no-brainer. efficiency on my MacBook professional is extraordinarily respectable, and it is much quicker dealing with complex art than on my dual G5.

    Conclusion

    I bet which you can tell via my tone that or not it's a bit hard to get excited concerning the Illustrator CS3 upgrade. What it does, it does well sufficient, however this is a comparatively brief review, and yet I've covered pretty a good deal all that is new to Illustrator CS3. I understand that things like the DeviceN and the brand new rendering engine are big under-the hood advancements, and these low-degree engineering things doubtless consumed a large chunk of development time for Illustrator CS3. however faster rendering, advancements to the control palette, library coping with, doc presets and Isolation mode (which is a second take at shoddy subgroup handling) believe like somebody making an attempt to promote their new, working bladder as whatever to get excited about. aside from live colour and the new CS3 interface, the What's New part of Adobe Illustrator CS3 documentation reads somewhat like a padded résumé, and what's new isn't flawlessly achieved (crop area and eraser tools). in accordance with what I have been in a position to get in plug-ins for ages and years of non-public Illustrator use, it's not complicated to come up with improvements that might positively affect a wide latitude of Illustrator users:

  • ability to select and movement distinct Bezier handles directly (from the now-defunct Vector Studio) or at the least take care of Bezier handles like anchor features so that transforms may also be repeated for path tweaks. This would make the lives of fontographers and individuals who make trademarks lots less difficult.
  • An up-to-date 3D device. enforcing something like After consequences' camera-primarily based three-D rotation would assist make 3D scenes that have been constant as a substitute of getting to haphazardly are trying and fit perspectives for individual objects within the scene. also, adding CADTools or SketchUp-like interactive extrusion facets can be a far better approach for growing 3D objects inside a scene.
  • Maya-fashion paint selection and paint attribute weights. suppose of how outstanding it can be to be able to brush out the amount of envelope effect on a group of anchor features. considering most outcomes are are living, this may be a betterlogical step.
  • I do not consider or not it's too a whole lot to ask that the bar be set a little bit higher for what Illustrator may still be able to do. With Adobe's buyout of Macromedia, Illustrator has misplaced its leading competitor (Freehand), and i in my view worry that this will create a blinder effect for the Illustrator group. The ultimate element we want is a utility trip on the monopoly instruct to boredom town, à la a here-unnamed design application made by using an organization whose name starts with "Q" it is rapidly dropping market share. however I digress.

    In conclusion, the Illustrator CS3 upgrade is first rate but not terrific. if you spend a big amount of time in Illustrator, then the reside color feature on my own is a really compelling rationale to upgrade. if you are on an older PPC laptop, then the drawing performance improvements are also a boon, and Intel Mac clients do not should debate the should improve. but when you buy, just be organized for less CS3 and greater of a CS2.5.

    pros
  • reside colour is miraculous and does excess of a traditional color wheel
  • faster drawing engine
  • Very speedy on Intel Macs
  • Align and distribute works on aspects now
  • DeviceN colour house support
  • superior integration with Flash
  • CS3 interface is clean and well-equipped
  • Isolation mode makes subgroup and object editing a great deal clearer
  • Cons
  • Meager improve; a lot of what's new seems like modernization, now not innovation
  • grey interface alternative lacks polish
  • Crop area device lacks customizable presets and alternate options

  • Adobe buries FreeHand MX | killexams.com Real Questions and Pass4sure dumps

    Freehand MXAdobe has decided to pull the plug on FreeHand MX, their vectorial software aimed at designers. You’ll nonetheless be in a position to down load and use the application however edition eleven.0.2 may be the remaining unencumber. As John Nack, developer at Adobe, displays on his blog, the enterprise will “continue to promote FreeHand MX, and will present technical and consumer aid” yet strongly inspire users to make the start to Adobe Illustrator CS3 by using offering an update for $199.

    The determination comes as no shock considering the fact that that FreeHand MX hadn’t been up to date for 4 years. Adobe is pushing users to make use of their new inventive Suite 3, which has considered a reshuffle in applications. It seems that there wasn’t tons room for FreeHand MX anymore, with Illustrator CS3 masking many of the artistic design and web page production wants of users. Adobe has already deploy a number of publications to assist users conveniently migrate from FreeHand MX to Illustrator. leisure in peace, FreeHand.


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    in case you are looking to be really aggressive within the box, youngsters, you need to have the correct tools and certifications beneath your belt. The image Design Certification faculty will outfit you with a thorough realizing of three of the business’s most important and relied-upon classes in the Adobe inventive Suite — Adobe Illustrator, InDesign, and Photoshop — together with the certifications you need to add weight to your resume. And presently which you can land this extensive schooling for over ninety five % off its usual rate at just $39.

    With over 300 training taught by using business consultants, this three-route bundle walks you through everything from the simple elements of these in-demand programs to their most superior aspects.

    First, you’ll find out how to create stunningly useful images and designs in Adobe Illustrator, via instruction that teaches you how to produce paintings and take into account the a considerable number of considerations and tricks which are associated with the more and more essential container of professional design. This route also focusses on built-in colour management equipment so that you can prevent time for your projects.

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    Adobe IIIustrator CS3 ACE

    Pass 4 sure 9A0-057 dumps | Killexams.com 9A0-057 real questions | [HOSTED-SITE]

    Adobe Illustrator CS3 | killexams.com real questions and Pass4sure dumps

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  • The poster child

    Adobe Illustrator CS3 Manufacturer: AdobeOperating system support: Windows XP SP2, Vista Home Premium or better, Mac OS X 10.4.8Price: Illustrator CS3 full version: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    Overall, the transition to Mac OS X was relatively smooth, but one of the rough periods for professional graphic designers was Illustrator 10. This first native OS X version was the poster child for reasons to wait to move to Mac OS X on older hardware, since everything was glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for sure.  Eventually, updates made it incrementally faster, and with version 12, it was finally zippy enough to run on a first-gen G5 without feeling like you were designing in bullet time.

    Okay, it wasn't that bad, but Adobe knew it had issues with the older code; with CS3, they've completely overhauled the drawing engine to get a much larger boost and bring an end to any nostalgia for the speedy—yet crashy—days of yore. Of course, this update also comes with Universal Binary Intel Mac support, a new interface, and some things called "new features" that we'll also take a look at. So without further ado...

    System requirements Mac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.8
  • 512MB of RAM (1GB recommended)
  • 2.5GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Windows
  • Intel® Pentium® 4, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or compatible) processor
  • Microsoft® Windows® XP with Service Pack 2 or Windows Vista™ Home Premium, Business, Ultimate, or Enterprise (certified for 32-bit editions)
  • 512MB of RAM (1GB recommended)
  • 2GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Note that none of the CS3 applications are 64-bit. The Mac version requires more space because of the Universal Binary application format.

    Test hardware MacBook Pro Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.4.9
  • Mac Pro 2.66 GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.4.9
  • Dual G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.4.9
  • Illustrator CS3 interface

    As you might have guessed if you've been following the other CS3 updates, Illustrator CS3 now sports the smooth darker gray palettes and handy docking scheme and icons seen in Photoshop and InDesign CS3:

    Click the double arrows to expand the width of the dock to the full docked panel mode

    In this docked mode, all the panels sit linked vertically so that slivers of the desktop no longer distract you from between your palettes. It helps isolate your workspace nicely, and as was noted in our Photoshop review, the new look is very clean and reduces clutter while still giving you access to everything you need to have at your fingertips, maximizing space usage for those of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their meaning. It took me a bit to stop mistaking the Pathfinder icon for the Attributes since both look like a Boolean knockout but that was a short-lived and rather unexciting battle.

    While the organizational benefits of the new scheme are pretty clear, the main problem with them is that, because you tend to jump between palettes in Illustrator a lot, if you use the attached docked palettes, then they all shift around to the point of being a bit confusing.

    Click for animation

    Moving targets are not much fun when you're a fast clicker, so to minimize the shuffle, I use a mix of the undocked, unstacked palettes with some docked icons to things I don't need constant access to. But overall the clarity of the new interface is a welcome change and makes working on a MacBook Pro less cramped for sure. If you like an even more consistent and muted workspace to concentrate on color work, AI CS3 now has an option to set the interface tone to different shades of gray:

    This seems to be a professional app feature that I'd normally like to see, but in Illustrator, I feel like it's a bit inconsistently executed, and the sleekness that you're used to with After Effects or Final Cut Pro gives way to a sort of selective paint bucket effect:

    The darkest gray setting with distracting white fields, edges and dialogs that don't reflect the darker gray scheme.

    That's a far cry from the "welcome to the future" look of After Effects and does a bad job of being less predominant. This is the sort of quick-and-dirty fix you'd expect from a company less competent than Adobe. Hopefully it will be addressed before the next major upgrade.

    Customizable control palette

    Taking notes from InDesign, Illustrator CS3 now features a more robust Control palette to give access to often-used functions, which can be customized to better suit your individual work flow:

    Within the Control palette are a load of contextual options; when you have an anchor point selected, you are given a bunch of new choices within the control palette:

    Aside from being able to control the anchor point's absolute position (cropped at the right), you can convert it to a corner point/smooth point, remove it, connect it to another end point, divide the path at the point selected, or align objects and selected points, which is covered in more depth later.

    When you select an object with an effect on it, the Control Panel presents options for those effects:

    And that's Diebold the Montreal band, not everyone's favorite vote machine maker

    The previous iteration of the Control palette had some of these options (the Type options are largely unchanged from CS2) but didn't go as far as CS3 does in having a one-stop area for the contextual control. My only gripe about the Control palette is that the align options still don't include the distribute options, which is what I reach for half the time I open the Align palette. Otherwise, it's well thought out and makes good use of the space. Illustrator is the kind of program that, if poorly thought out, could consume way too much space with its palettes and control. Thankfully, CS3 does what it can to be powerful, customizable and clean.

    Document profiles

    Definitely a welcome addition, Illustrator now has template profiles that show up directly in the new documents dialog, making it easier to create a web, print, or video document with common parameters for different working scenarios.

    Within those options, there are suboptions for color mode, rasterization resolution, and setting pixel/overprint preview modes to be on by default, as well as transparency grid settings. Note that there is still no nonsquare pixel preview option for video documents.

    If you need to have a custom format, you can make a new document, and once you save it to the New Documents Profiles folder, it becomes instantly accessible in the New Documents dialog.

    My spread format appears in the New Document Profile section. For some reason, it rounds the second decimal place and leaves the third out, even thought it preserves the actual 10.875” height in the document. Somewhere there's a .05 of an inch floating around a black hole.

    All in all, aside from the new CS3 interface panels and docking scheme, it's a little hard to get excited about the interface and document preset/customization options new to Illustrator CS3. They are long overdue, and I've had a plug-in for years that let me save palette positions. This is definitely a case of catching up to what's been pretty standard for a professional graphics app for a while now.

    Tool upgrades

    The majority of time spent in Illustrator isn't usually with filters; it's usually spent just dealing with paths and tweaking, so CS3 hopes to make working more efficient by upgrading the basics—the first of which is anchor point highlighting and picking. The older versions of Illustrator used to pick anchor points based on stacking order as opposed to proximity to the cursor, which is now fixed. Picking is also made easier by highlighting the anchor points and paths as you mouse over them—paths are indicated by a black square next to the arrow and anchor points are indicated by a white square.

    Click for animation

    As you can tell by the animation, this makes working with complex paths a lot easier, and it reduces a lot of redundant selection trying to get to the anchor points you just want to deal with. You can further customize the behavior of this in the application's Preferences:

    For such a simple change, the new anchor point handling really adds a lot.

    Another thing that will definitely please avid Illustrator users is the ability to align and distribute selected points, not just objects. Select any multiple anchor points and watch in wonder as the hamsters inside Illustrator CS3 busily arrange the points when you click align:

    Click for animation

    It's definitely a great addition, but this is another thing that just makes sense to have, and users of the venerable FilterIt plug-in have had this ability for a while now. Sure, it's not exactly fair to say software isn't complete if it doesn't have the equivalent third party plug-in already installed, but aligning selected points is such a basic thing for Illustrator that it's kind of shocking it's taken 13 versions for it to make it into the app. Clearly FilterIt was just filling a basic need here, and it had the added advantage of being a tool invoked by a keyboard shortcut; something you can't do with the align options in AI CS3. Still, for everyday Illustrator use, this is a big plus, so I can't complain.

    Isolation mode

    A significant improvement in illustrator CS3 is its handling of objects and groups/subgroups in the "I think he might be depressed"-named Isolation mode. If you had a group of objects and within those you had subgroups, older versions of Illustrator weren't very good at dealing clearly with this, so CS3 has cleaned up the whole process and makes dealing with subgroups painless.

    A mask group is double-clicked to edit the contents of the mask. Click for animation.

    Checking the top of the window indicates what level you are in within the groups:

    This isolation mode menu is probably familiar to Flash users, and when you've created Flash-ready symbols, this editing hierarchy works much the same as in Flash. Once you've edited one of these symbols in the Isolation mode, the others update accordingly. Isolation mode overall is finally an effective scheme for dealing with many subgroups, and it's going to help clearly manage larger illustrations.

    Eraser tool

    It would seem pretty simple to have an erase tool in Illustrator, but vectors are more complicated than just masking some pixels, so it is pretty understandable that it's new. In older version of Illustrator, if you wanted to cut a flowing brush stroke out of a letter for a logo, it was a multistep process: make a brush stroke over some outlined text with a custom brush, flatten the path so it was outlined, and then do a front-minus-back Boolean operation in the Pathfinder palette. Pretty straightforward in itself, but when you start to add layers and groups to this, it gets complicated. In AI CS3, the eraser tool lets you do this in one brush stroke—while respecting objects on multiple layers and any existing effects:

    It's also pretty sweet for making rounded trims that have a more organic feel.

    If you hold down option/alt, the eraser becomes a square marquee selection that subtracts a rectangle from objects.

    But the eraser tool doesn't work consistently. If you go over a stroked object, you will get mixed results:

    Also, it doesn't do image masks, so if you have a complex illustration, these two limitations will force a bit of a workaround by outlining all strokes. It would have been nice if the eraser tool had this as an automatic option.

    Crop area tool

    While Illustrator already includes the ability to make crop marks for printing output, CS3 now adds a crop tool feature that is used more like a slice but with subtly different usage, and unlike slices, multiple crop areas (created by option dragging with the tool active) do not bite into other crop areas. They're like visual workspaces, and for things like packaging, where it can be a little hard to envision what one fold may look like, it makes short work of previewing that part in context:

    My EP art cropped to the front face.

    The old way was to make four white boxes around your workspace so you could get a feel for what the cropped art would look like. It was pretty ghetto and a big waste of time. Also, you can instantly make a crop area around selected objects. These crop areas can then be used as slices for Save for Web, document bounds for PDF export, or as reference frames for alignment and distribution, so it definitely has the potential to save work.

    But, in what is beginning to sound a little repetitive, the crop tool is just shy of being polished. While it works nicely as a preview for cropped documents, you can't create your own presets, which seems to fly in the face of AI CS3's whole empowering of the user. I do these techno vinyl sleeves a lot, and seeing this long list of video options when I just want a 12"x12" preview crop for the front and the back is a bit annoying:

    My kingdom for a vinyl cover and single page of our magazine preset

    On top of that, crop areas can't be promoted to slices, you can't adjust the color or the opacity of the overlay, and PDFs exported with the cropped areas failed to use bleed or crop marks. Creation of the boxes is finicky, too: they can't be option-dragged like slices, and copying and pasting between sizes in documents is inconsistent and frustrating. For the crop tool to be truly great, it would have the customizable presets of document profiles and the ability to have an InDesign-like 100 percent opaque trim preview. As is, it's a decent tool for art with multiple intended outputs (DVD interface, business card, etc.), but it's needlessly limited.

    Enhanced color features

    Unless you're goth, then you're likely using color in Illustrator, and changes to color features are likely to affect non-vampire professionals. New in Illustrator CS3 is the ability to add a bunch of color swatches from selected objects.

    The resulting swatches are automatically grouped into the new Color Groups in the swatches palette:

    Select all and colors from the selection are added to a newly created Color Group.

    It's a real time-saver and for maniacs that work with giant Laura Ashley-esque palettes, your lives are about to get easier, if a little too floral.

    Live Color

    By far the biggest new feature in Illustrator CS3 are the new color handling tools in Live Color. Anyone who works in color probably spends a good portion of their time trying to find palettes that work together. This is easier said than done, and unless you're Matisse or Warhol, this process can really slow you down. In the past, when I've found myself in a pinch for a good color scheme, I've used third-party utilities or color pickers, but the main issue with these is that when you get their swatches into Illustrator, they often shift since they aren't using the same color tech as Adobe, so that limits their usefulness as aids.

    Thankfully Adobe has picked up the reins, and the color tools in Live Color—which is accessible from the swatches or control palette—are really stellar. Usage of Live Color is best understood by an example. Let's say you're in palette hell, but you know you need at least five colors to complement each other. You could use a color you like as a starting point for a new scheme:

    Experimenting in a non-teen way.

    Colors can be assigned to specify which ones are locked so that any brand colors or pantones can remain untouched while others move. You can save the resulting palette as a color group (indicated in the Swatches palette by a folder at the left), and once you've assigned these swatches to elements, you can further interactively work on the overall color scheme as a whole within your art:

    Editing the color group within Live Color.

    As you can see by all the sliders, knobs, and buttons, Live Color is very powerful, and nothing is overlooked. There really is only one problem with Live Color: it's not in InDesign as well. I use this often enough now for layouts that I've got Illustrator open when doing pages in InDesign, just to toss color ideas around. It's become pretty invaluable.

    DeviceN color support

    On the technical side of color, Illustrator CS3 now supports DeviceN color space for PostScript 3. You can now place duotone or separated Photoshop images in Illustrator and preserve the file's native color space, so this will mean not needing workarounds for separating complex art in Illustrator.

    Flash integration

    Most of the source material for complex Flash files is likely created in Illustrator, so now that Adobe owns Flash, it's fair to say we'll be seeing more integration between the two programs. Aside from being able to export to a static .swf file, you have the ability to open Illustrator CS3 files directly in Flash (but not the reverse) as well as the ability to create Flash symbols in Illustrator. The major advantage of the latter is that the time spent setting up a stage can be shortened by organizing and naming instances for animation.

    Hit F8 and you are prompted by the familiar Flash symbol creation dialog

    You can set the registration of the object so that reference points for animation/rotation will be made easier. Then you can further assign an instance name for ActionScript events:

    And for text, you can set whether the text field is static, dynamic, or input text.

    Creation of fancy loader graphics just got easier

    Once you have your symbols created, you can import the Illustrator itself directly into the Flash stage:

    With our symbols preserved, we're also given the choice of setting our Flash document bounds to the size of the Illustrator document. Once imported, all the layers are preserved, and the names are intact:

    The art is preserved with transparency intact

    This whole process is very smooth and, combined with the Isolation mode, is an elegantly implemented means of dealing with symbols in Illustrator. Unfortunately, it stops just short of helping keep art layout centralized within Illustrator since the import process is a one-shot deal. Flash can't reference the imported Illustrator art like After Effects or InDesign references external documents, so this single import is a committed affair. Also, if you paste a symbol into Flash that has the same name, it doesn't prompt you to replace the existing item. This is more of an issue for Flash, but since the relationship between Flash and Illustrator is tight, it would have been nice to see a deeper integration as optional.

    As it stands, this will save some time for sure, but I can't help feeling like the implementation lacks the vision for a truly integrated scheme. But I can't be too hard on the Illustrator team since the Macromedia acquisition is relatively recent, and restructuring development between the two apps isn't a small affair. I'm sure that given Adobe's huge size, just having a casual conversation between departments requires lawyers to consult the water cooler companies about what Monday joke to use.

    Increased drawing performance

    For Intel Mac users, it won't come as much surprise to learn that Illustrator CS3 is significantly faster than running CS2 in Rosetta, but the good news is that Windows users and Mac users with older hardware will also benefit from the upgrade since the drawing engine in Illustrator has been completely overhauled for speedier rendering. The general consensus on the speed increase is that it's 15-30 percent faster, and testing on my first-gen PPC G5 suggests that vague and untestable figure is dead on—give or take a percentage point. But seriously, folks, it does draw a little faster, and if you're on an Intel Mac, the upgrade is a no-brainer. Performance on my MacBook Pro is extremely good, and it is far faster dealing with complex art than on my Dual G5.

    Conclusion

    I guess you can tell by my tone that it's a bit hard to get excited about the Illustrator CS3 upgrade. What it does, it does well enough, but this is a relatively brief review, and yet I've covered pretty much all that's new to Illustrator CS3. I understand that things like the DeviceN and the new rendering engine are significant under-the hood improvements, and these low-level engineering things likely consumed a giant chunk of development time for Illustrator CS3. But faster rendering, improvements to the Control palette, library handling, document presets and Isolation mode (which is a second take at shoddy subgroup handling) feel like someone trying to sell their new, working bladder as something to get excited about. With the exception of Live Color and the new CS3 interface, the What's New section of Adobe Illustrator CS3 documentation reads a bit like a padded résumé, and what's new is not flawlessly executed (crop area and eraser tools). Based on what I have been able to get in plug-ins for a while and years of personal Illustrator use, it's not hard to come up with improvements that would positively affect a broad range of Illustrator users:

  • Ability to select and move multiple Bezier handles at once (from the now-defunct Vector Studio) or at least deal with Bezier handles like anchor points so that transforms can be repeated for path tweaks. This would make the lives of fontographers and people who make logos a lot easier.
  • An updated 3D tool. Implementing something like After Effects' camera-based 3-D rotation would help make 3D scenes that were consistent instead of having to haphazardly try and match perspectives for individual objects in the scene. Also, adding CADTools or SketchUp-like interactive extrusion features would be a much better approach for creating 3D objects within a scene.
  • Maya-style paint selection and paint attribute weights. Think of how great it would be to be able to brush out the amount of envelope effect on a set of anchor points. Since most effects are live, this would be the next logical step.
  • I don't think it's too much to ask that the bar be set a bit higher for what Illustrator should be able to do. With Adobe's buyout of Macromedia, Illustrator has lost its main competitor (Freehand), and I personally fear that this will create a blinder effect for the Illustrator team. The last thing we want is a software ride on the monopoly train to boredom town, à la a here-unnamed layout application made by a company whose name begins with "Q" that is rapidly losing market share. But I digress.

    In conclusion, the Illustrator CS3 upgrade is good but not great. If you spend a significant amount of time in Illustrator, then the Live Color feature alone is a very compelling reason to upgrade. If you're on an older PPC machine, then the drawing performance improvements are also a boon, and Intel Mac users don't need to debate the need to upgrade. But if you buy, just be prepared for less CS3 and more of a CS2.5.

    Pros
  • Live Color is amazing and does far more than a traditional color wheel
  • Faster drawing engine
  • Very fast on Intel Macs
  • Align and distribute works on points now
  • DeviceN color space support
  • Better integration with Flash
  • CS3 interface is clean and well-organized
  • Isolation mode makes subgroup and object editing a lot clearer
  • Cons
  • Meager upgrade; a lot of what's new feels like modernization, not innovation
  • Gray interface option lacks polish
  • Crop area tool lacks customizable presets and options

  • Ars reviews Adobe Illustrator CS3 | killexams.com real questions and Pass4sure dumps

    I’ve been playing with Illustrator CS3 for awhile now and haven’t been terribly impressed with the changes. Obviously the application is much faster on Intel and seems relatively stable with fonts, etc (I haven’t had to wipe my prefs yet! * knocking on wood.)

     Also Flash integration is much better – though not as good as Freehand was :'(

    Ars pretty much came to the same conclusion albeit 7 pages later. Obviously if you are buying Intel machines for designers, you need Universal Binary apps – no doubt.  The upgrade cost will pay for themselves in saved time in a few months.Adobe, we are giving you a freebie but we also would like to see some more features and better, more simple user interface. Not that there is any competition left from Freehand to motivate you…

    Maybe Processing will take off?


    CS3 ‘biggest release in Adobe’s history’ | killexams.com real questions and Pass4sure dumps

  • Post
  • CS3 box shots By merging Macromedia’s old product line with its own applications, creating an Extended version of Photoshop and reviving long-dead video and audio applications for Intel Macs, Adobe’s new Creative Suite 3 has become the largest software rollout in the company’s history.

    Available in the Second and Third Quarters of 2007, the much-anticipated CS3 is composed of 13 stand-alone applications in total:

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  • Photoshop CS3
  • Photoshop CS3 Extended
  • InDesign CS3
  • Illustrator CS3
  • Flash CS3 Professional
  • Dreamweaver CS3
  • After Effects CS3
  • Adobe Acrobat 8 Professional
  • Adobe Contribute CS3
  • Adobe Fireworks CS3
  • Adobe Premiere Pro CS3
  • Adobe Soundbooth CS3
  • Adobe Encore CS3
  • Not to be outdone by Microsoft’s Windows Vista, Adobe has created six configurations of Creative Suite 3:

  • Design Standard – $1,199 – Available Second Quarter 2007 Includes InDesign CS3, Photoshop CS3, Illustrator CS3, Acrobat 8 Professional, Bridge CS3
  • Design Premium – $1,799 – Available Second Quarter 2007 Adds Dreamweaver CS3, Flash CS3 Professional, Photoshop CS3 Extended
  • Web Standard – $999 – Available Second Quarter 2007 Includes Dreamweaver CS3, Flash CS3 Professional, Fireworks CS3, Contribute CS3, Device Central CS3, Bridge CS3, Adobe Stock Photos and Version Cue CS3
  • Web Premium – $1,599 – Available Second Quarter 2007 Adds Illustrator CS3, Acrobat 8 Professional
  • Production Premium – $1,699 – Available Third Quarter 2007 Includes After Effects CS3 Professional, Premiere Pro CS3, Photoshop CS3 Extended, Flash CS3 Professional, Illustrator CS3, Soundbooth CS3, Encore CS3, Device Central CS3 and Bridge CS3
  • Master Collection – $2,499 – Available Third Quarter 2007 Includes all 12 of the applications (it will not include Photoshop CS3 because the inclusion of Photoshop CS3 Extended makes that redundant)
  • Adobe says users will experience increased levels of performance and speed running Creative Suite 3 natively on Intel-based Macintosh systems. And although the majority of CS3 applications will be available as Universal Binaries for both PowerPC and Intel-based Macs, three will be Intel-only: Premiere Pro, Soundbooth and Encore, all of which are part of the Production Premium configuration. Adobe’s other Intel-only Universal application, Photoshop Lightroom, is not included in any of the CS3 configurations.

    The other Photoshop-branded application not a part of CS3 is Photoshop Elements. Adobe is still planning to release version 5.0 for the Macintosh but has set no official timetable. Also still in the cards is an update to GoLive, which Adobe says will be updated in the future but is not a part of the new Creative Suite.

    Adobe is providing a number of upgrade paths for current customers. For more detailed information about features, upgrade policies, pricing, and international versions visit: www.adobe.com/go/creativesuite.



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