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9A0-061 - Adobe Premiere Pro 2.0 Professional ACE - BrainDump Information

Vendor Name : ADOBE
Exam Code : 9A0-061
Exam Name : Adobe Premiere Pro 2.0 Professional ACE
Questions and Answers : 130 Q & A
Updated On : December 17, 2018
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9A0-061 exam Dumps Source : Adobe Premiere Pro 2.0 Professional ACE

Test Code : 9A0-061
Test Name : Adobe Premiere Pro 2.0 Professional ACE
Vendor Name : ADOBE
Q&A : 130 Real Questions

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Nasty Adobe malicious program Deleted $250,000-worth of Man's data, Lawsuit Claims | killexams.com Real Questions and Pass4sure dumps

picture: Adobe, VectorStock

a contract videographer has filed a class action lawsuit in opposition t Adobe on behalf of mortified clients that watched their info vanish as a result of a malicious program in video-modifying utility ultimate pro. besides the fact that this nightmare situation hasn’t come up yet, all most suitable users may still have in mind.

The lawsuit become filed in a California district court docket last week by means of Dave Cooper. He alleges that an replace to premier pro got here with a flaw in the approach it handles file management that resulted in the deletion of 500 hours of video clips that he claims had been price round $250,000.

Adobe has stated the computer virus and issued an replace, so that you might are looking to make certain that you’re on the latest version of premiere. Cooper claims that he upgraded to top of the line professional eleven.1.0 in April of final yr.

ultimate creates redundant video data that are stored in a “Media Cache” folder while a person is working on a assignment. This takes up loads of tough pressure area, and Cooper suggested the video enhancing suite to vicinity the folder inner a “videos” listing on an exterior hard force, in line with court docket files. The “video clips” folder contained pictures that wasn’t linked to a most appropriate venture, which should’ve been satisfactory. When a consumer is executed engaged on a task they typically clear the “Media Cache” and move on with their lives. alas, Cooper says that once he initiated the “clear Cache” feature it indiscriminately deleted the contents of his “video clips” folder perpetually.

Cooper claims that he misplaced round a hundred,000 individual clips and that it can charge him close to $250,000 to seize that footage. After spending three days trying to get better the facts, he admitted that all was misplaced, the lawsuit says. He also apparently misplaced work files for edits he changed into working on and says that he’s missed out on subsequent licensing alternatives. On behalf of himself and different clients who are looking to join the swimsuit, he’s asking the court for a jury trial and is in quest of “economic damages, including but no longer limited to any compensatory, incidental, or consequential damages in an amount that the court docket or jury will verify, in accordance with applicable legislations.”

The bug did not go neglected within the Adobe group, and discussion board users said identical considerations and warned each other about the bug. When Adobe launched the 11.1.1 update, it noted that the worm was fastened and going ahead, “best data which are in the Media Cache folder’s subdirectories may be deleted.” Even with a repair, Adobe talked about, “we nonetheless strongly advocate preserving the Media Cache folder cut loose your long-established media.” Adobe did not automatically respond to request for comment from Gizmodo.

No remember who’s at fault during this case, and even with even if this selected bug affected you, there’s a lesson for everybody here. Make backups upon backups of your whole stuff—it sucks, it’s costly, but it’s elementary. Video gurus have it the toughest as a result of their files are so big and are simplest getting bigger. The decent information is that complicated force space is getting cheaper at a speedy clip, and the mini-museum of exterior challenging drives in my closet gets more straightforward to replica over anytime. be aware the archivist principle, LOCKSS: “loads of copies hold stuff protected.”

[Northern District of California, Motherboard]


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today at Adobe MAX, the Creativity conference, Adobe (ADBE) announced principal updates to artistic Cloud applications together with Photoshop CC, Lightroom CC, Illustrator CC, InDesign CC, most excellent pro CC and Adobe XD. Adobe additionally brought Adobe optimum Rush CC, the primary all-in-one, effortless-to-use video editing app for social media creators, simplifying video creation and sharing on structures together with YouTube and Instagram. Adobe previewed new iPad types of Adobe Photoshop CC and mission Gemini, a drawing app, reinforcing the business’s dedication to delivering high-performance apps that work seamlessly across surfaces.

“nowadays, we unveiled a portfolio of next-technology inventive apps that carry meaningful value to our neighborhood by means of transforming artistic workflows throughout gadgets and structures,” observed Scott Belsky, chief product officer and executive vice president, creative Cloud, Adobe. “via continuing to innovate in our flagship apps, extending into exploding segments equivalent to event design and social video introduction, and pioneering in emerging mediums like contact, voice, 3D and augmented truth, Adobe creative Cloud has definitely become the creativity platform for all.”

increasing Innovation across creative Cloud functions and functions

Adobe added predominant updates to its laptop applications, together with: a brand new content material-mindful Fill workspace in Photoshop CC; performance and workflow advancements across Lightroom CC and Lightroom basic; the skill to design with photorealistic, Freeform gradients in Illustrator CC; a magnificent content-conscious slot in InDesign CC; the energy to directly create and animate exciting, stylized puppets the use of a webcam and reference art with persona Animator’s new Characterizer; a brand new rendering engine for superior render preview performance in Dimension CC; and new Sensei powered search points and exclusive content in Adobe stock, including a brand new library of clips from GoPro. in addition, Adobe introduced it is addressing the wants of the video animation industry with new workflows and integrations across apps, including Animate to After effects, Animate to personality Animator and Adobe XD to After outcomes.

Adobe XD, the all-in-one UX/UI answer for designing sites and cellular apps, now points new capabilities leveraging currently got Sayspring know-how to empower designers to prototype experiences and apps for voice-powered instruments, reminiscent of Amazon Echo. New voice capabilities, together with voice triggers and speech playback, enable designers to create powerful experiences with display and voice prototyping now in one application. additionally, developers can now leverage Adobe XD APIs to construct plug-ins and app integrations that add new aspects, automate workflows and fasten XD to the tools and functions designers use every day.

Unleashing Social Video content material Creators with most desirable Rush CC

Designed above all for on-line video creators, surest Rush CC integrates trap, intuitive editing, simplified colour, audio and motion graphics with seamless publishing to leading social platforms, equivalent to YouTube and Instagram, all collectively in a single effortless-to-use solution. With surest Rush CC, content material creators won't have to be video, colour or audio experts to publish knowledgeable-first-class movies. top-rated Rush CC harnesses the vigor of highest quality professional CC and After outcomes CC, presents developed-in entry to professionally designed movement portraits templates in Adobe stock to get began immediately and features a Sensei-powered, one-click on auto-duck function to alter track and normalize sound. It additionally permits entry anyplace, enabling clients to create compelling video initiatives – optimized for social distribution – on one machine and post from a further with a constant person journey across computer and cell.

Previewing high-efficiency artistic Imaging and Drawing Apps across contraptions

Adobe previewed two future mobile apps designed to herald a brand new era of multi-floor introduction while complementing workflows throughout Adobe’s present flagship computer purposes:

  • Photoshop CC on iPad: Redesigned for a latest touch adventure, Photoshop CC on iPad will convey the power and precision of its laptop counterpart. Photoshop CC on iPad will let clients open and edit native PSD info the usage of Photoshop’s industry-typical image-enhancing tools and may feature the prevalent Photoshop layers panel. With Photoshop CC throughout devices, coming first to iPad in 2019, you may be able to birth your work on an iPad and seamlessly roundtrip your whole edits with Photoshop CC on the desktop via inventive Cloud.
  • mission Gemini: a new app designed to speed up drawing and portray workflows throughout contraptions, mission Gemini, coming first to iPad in 2019, combines raster, vector and new dynamic brushes into a single app journey built for drawing. undertaking Gemini allows for artists to make use of and sync their favorite Photoshop brushes and works seamlessly with Photoshop CC.
  • Unparalleled productivity Enhancements with Adobe Sensei

    Story Continues

    The 2019 free up of artistic Cloud delivers more than a dozen new Adobe Sensei-powered aspects and productiveness enhancements – constructing on dozens of present Sensei-powered points already purchasable to Adobe inventive Cloud, doc Cloud and event Cloud shoppers. Sensei-powered aspects within the 2019 release encompass:

  • An increased content-mindful Fill workspace in Photoshop CC that presents improved precision and control to retailer editors valuable time when working with their photos.
  • a brand new content-mindful healthy function in InDesign CC that intelligently detects a picture and plants or matches it to an image body automatically.
  • New Freeform Gradients in Illustrator CC that permit the introduction of herbal gradients.
  • a new tool in persona Animator CC, Characterizer, that transforms any trend of portrait into a vivid, animated personality.
  • Designed to make creatives more a hit and supercharge their productiveness, the 2019 inventive Cloud release offers massive efficiency and usefulness advancements, superior pass-utility integration, intuitive collaboration elements and quicker entry to file assets and services. among the many new capabilities, Adobe is optimizing the in-app delivery experience to speed up consumer on-boarding with new apps and improve discoverability of new elements and product capabilities.

    additional workflow advancements encompass a contextually-conscious homes Panel in InDesign CC to screen options in response to the object chosen, multiplied Undo and auto-resizing in Photoshop CC, a customizable toolbar in Illustrator CC and a latest UI in Bridge CC with help for bulk uploads of libraries. inventive Cloud individuals also get the all new Adobe Acrobat DC, which offers a totally reimagined option to share work and get it reviewed and accepted with out sending email attachments or managing edition handle.

    Previewing the way forward for Immersive Design

    Adobe previewed mission Aero, a new cross-device AR authoring device that makes it possible for creators to design augmented truth experiences. project Aero is the first AR app built for designers and artists and turned into first sneaked on-stage at Apple’s global Developer convention earlier this year. task Aero allows finest beginning of AR experiences, empowering creatives to area digital content material in the true world. At Adobe MAX, Adobe showcased an AR-powered retail keep of the long run, revealing the exciting chances of immersive design experiences.

    Empowering commercial enterprise purchasers

    Adobe introduced deeper integrations between creative Cloud and Adobe experience Cloud that unify artistic and marketer workflows. With these integrations, manufacturers can now without problems entry assets in event supervisor within inventive Cloud apps, Adobe stock pictures may also be leveraged in journey supervisor, and 3D content designed with Dimension CC can be adjusted in event supervisor and posted as marketing assets.

    For a comprehensive characteristic abstract and overview of inventive Cloud innovation and new elements seek advice from:

    Pricing and Availability

    Updates to creative Cloud computing device software are actually accessible to all inventive Cloud subscribers, together with membership plans for individuals, students, groups, academic institutions, government organizations and corporations. Adobe’s cellular apps can be found for down load from the iOS App save and Google Play.

    Photoshop CC on iPad, project Aero and task Gemini on iPad will be available in 2019. Spark submit on Android, prior to now obtainable as a public beta, is now purchasable as a 1.0 app within the Google Play save.

    The all-new gold standard Rush CC, obtainable now on windows and macOS and by means of the iOS App save (Google Play shop availability coming in 2019), is offered across a sequence of plans tailored for clients’ enjoyable needs.

  • best Rush CC is attainable for $9.ninety nine/month to individuals, $19.ninety nine/month to teams and $29.ninety nine/month to commercial enterprise shoppers. optimum Rush CC is also protected as a part of All Apps, scholar and foremost seasoned CC single app plans and is derived with one hundred GB of CC storage. further storage alternate options, as much as 10 TB, are also purchasable for purchase.
  • most desirable Rush CC Starter Plan: accessible at no cost, the Starter Plan offers shoppers access to all premiere Rush CC points, use of computer and mobile apps and the capacity to create an unlimited variety of tasks and export up to 3 tasks without charge.
  • About Adobe MAX

    Adobe MAX brings together the area’s most fulfilling creative minds, industry luminaries and celebrities. MAX 2018 keynote speakers and presenters encompass Academy Award-successful filmmaker Ron Howard, comedian e-book artist Nicola Scott, probably the most world’s most prolific photographers Albert Watson and comic Tiffany Haddish, who will host MAX Sneaks – a preview of expertise innovation brewing in Adobe research. MAX attendees will also witness an exclusive trailer preview of Sony’s upcoming function animated film, “Spider-Man™: Into the Spider-Verse,” and appearances by way of Questlove and Lilly Singh. in addition, MAX brings together predominant know-how groups including HP, CDW, Dell, Google, Samsung and Intel, and design-ahead artistic brands similar to Adidas and Sony. A livestream of the Adobe MAX keynote shows can also be viewed right here on Monday, October 15 starting at 9 a.m. PT and on Tuesday, October 16 beginning at 10 a.m. PT.

    About Adobe Sensei

    Adobe Sensei is a framework and set of intelligent services constructed into the Adobe Cloud Platform which dramatically enrich the design and beginning of digital experiences. Adobe Sensei leverages the company’s massive volume of content material and information property, as well as its deep domain advantage in the inventive, marketing and doc segments, within a unified artificial intelligence/machine gaining knowledge of framework. To be trained extra, talk over with adobe.com/go/sensei.

    About Adobe

    Adobe is changing the world via digital experiences. For more information, consult with www.adobe.com.

    © 2018 Adobe. All rights reserved. Adobe and the Adobe logo are either registered trademarks or trademarks of Adobe in the united states and/or different countries. All other logos are the property of their respective house owners.

    View supply edition on businesswire.com: https://www.businesswire.com/news/home/20181015005237/en/




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    Adobe Premiere Pro 2.0 Professional ACE

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    Adobe CS2 is available for free -- kind of, maybe, not really, but absolutely | killexams.com real questions and Pass4sure dumps

    Adobe has published a public CS2 download page with links to a host of older applications -- the full Creative Suite 2.0, Acrobat Pro 8.0, Audition 3.0, GoLive CS2, Illustrator CS2, InCopy CS2, Photoshop CS2, Photoshop Elements 4.0/5.0, Premiere Pro 2.0 -- as well as the serial numbers required to activate them.

    As soon as the page was noticed, multiple stories appeared recommending what looked like a great freebie. But what’s really going on here? It’s hard to say.

    First, Adobe’s Dov Isaacs posted a forum message saying that the company was "absolutely not providing free copies of CS2!" Apparently the CS2 activation servers are being terminated, and these builds and serial numbers are intended for existing licence holders to use as an alternative.

    The company didn’t take the CS2 page down, though, or add a warning or explanatory message, or do anything else to keep people away.

    In fact, Adobe has done the opposite. Initially you needed to log in via your Adobe account to view the download page; now it's freely accessible to everyone. It looks like the company have accepted that there’s no putting the cat back in the bag, and whatever the original intention, CS2 is now available for free.

    We may find out for sure in the next day or two, if Adobe issues a press release or add further information to the CS2 download page which fully explains the situation.

    But if, in the meantime, you want to sample a CS2 application or two then they’re all ready and waiting.

    You do need to keep in mind the age of these programs, though. CS2 was released in 2005, and written for Windows 2000 and XP. Even getting the apps installed on a modern PC can require some work, and there’s no telling what issues might crop up later.

    We managed to successfully complete a couple of installations on Windows 7 x64, though, and have written up the various problems we encountered along the way. Check out the download pages on Creative Suite 2.0 and Adobe Professional 8.0 for more information.

    Photo Credit: Denys Shentiapin/Shutterstock


    AJA Introduces KONA 5 with 12G-SDI I/O, and Desktop Software v15 | killexams.com real questions and Pass4sure dumps

    New KONA simplifies 4K/UltraHD, HFR, deep color and HDR workflows with next-gen desktop video and audio I/O connectivity

    At IBC 2018, AJA Video Systems debuted KONA 5, a new 8-lane PCIe 3.0 video and audio I/O card supporting 12G-SDI I/O and HDMI 2.0 monitoring/output for workstations or Thunderbolt 3-connected chassis. KONA 5 supports 4K/UltraHD and HD high frame rate, deep color and HDR workflows over a single cable. For developers, AJA’s SDK offers support for KONA 5 multi-channel 12G-SDI I/O, enabling multiple 4K streams of input or output.

    KONA 5The KONA 5 capture and output card is interoperable with standard creative tools such as Adobe Premiere Pro, Apple Final Cut Pro X, and Avid Media Composer, leveraging AJA’s proven macOS and Windows drivers and application plug-ins. The card supports simultaneous capture with pass through monitoring when using 12G-SDI, and offers HDMI 2.0 output for connecting to the latest displays.

    “With today’s audiences expecting the highest quality content, high resolution, high frame rate and deep color are quickly becoming the norm across broadcast and post productions workflows, prompting the need for faster, more efficient approaches,” shared Nick Rashby, President, AJA Video Systems. “KONA 5 combines the flexibility of AJA’s popular Io 4K Plus into a desktop I/O solution with an even more powerful feature set.” 

    KONA 5 feature highlights include:

  • 12G-SDI I/O and HDMI 2.0 monitoring/output for 4K, UltraHD, 2K, HD and SD with HFR support up to 4K 60p at YUV 10-bit 4:2:2 and support for RGB 12-bit 4:4:4 up to 4K 30p
  • 4x bi-directional 12G-SDI ports and 1x Reference In, on robust HD-BNC connectors, with HD-BNC to full-sized BNC cables included
  • 16-channel embedded audio on SDI, 8-channel embedded audio on HDMI
  • 8-channel AES audio I/O, LTC I/O, and RS-422 serial control via supplied break-out cable
  • 10-bit downstream keyer in hardware, supporting up to 4K resolution
  • Compatibility with Adobe Premiere Pro, Apple Final Cut Pro X, Avid Media Composer, Telestream Wirecast, AJA Control Room and more
  • AJA SDK compatibility, offering advanced features including multi-channel 4K I/O
  • Three year international warranty
  • Desktop Software v15 for KONA, Io and T-TAP AJA Desktop Software v15 introduces the power of KONA 5 to creative applications from Adobe, Apple, Avid and others. The release also includes new AJA Control Room full-screen playback and host system audio monitoring. KONA HDMI customers can now use the system audio output and full screen playback to monitor audio and picture from incoming HDMI sources without the need for a separate output device.

    Media assets may now also be previewed in AJA Control Room with a computer monitor and speakers, without AJA hardware attached. This enables facilities to use the free macOS, Windows, or Linux application as a stand-alone professional software player for high-quality media up to 4K resolution. Other new features include per-port audio input channel settings in AJA Control Panel, valuable for switching and multi-channel capture workflows, and numerous KONA, Io and T-TAP product enhancements.

    Pricing and AvailabilityKONA 5 is available for order through AJA’s worldwide reseller network for $2995 US MSRP and will ship this fall. Desktop Software v15 will be available this fall as a free download from AJA’s support page. For more information, visit: www.aja.com/products/kona-5.

    # # #

    About AJA Video Systems, Inc.Since 1993, AJA Video has been a leading manufacturer of video interface technologies, converters, digital video recording solutions and professional cameras, bringing high quality, cost effective products to the professional broadcast, video and postproduction markets. AJA products are designed and manufactured at our facilities in Grass Valley, California, and sold through an extensive sales channel of resellers and systems integrators around the world. For further information, please see our website at www.aja.com.


    Adobe Premiere Elements 14 | killexams.com real questions and Pass4sure dumps

    We review products independently, but we may earn affiliate commissions from buying links on this page. Terms of use.

    Adobe's enthusiast-level video editing software is a very user-friendly, capable product, with lots of tools that help you produce compelling movies from your video clips. For the 2019 update, we get a new start window, a helpfully redesigned easy-editing interface, and automatically generated creations such as collages and slideshows. Despite its simplicity and appealing features, Premiere Elements falls a bit short of Editors' Choices CyberLink PowerDirector and Corel VideoStudio when it comes to rendering speed and support for new video technologies like 360-degree VR content.

    Compatibility, Pricing, Setup

    Premiere Elements is available for Windows 7 SP1 and later and macOS 10.12 and later. I primarily review the Windows version here, though I did install and run the software on an iMac as well. You can get the program together with Photoshop Elements for $149.99 or as a standalone app for $99.99. These are one-time fees—no subscription needed. Note that Premiere Elements is not a part of Adobe's Creative Cloud service. If you're upgrading from a previous version, those prices drop to $119.99 and $79.99, respectively. A free trial gets you 30 days of full-featured program use, but any videos made with the trial get stamped with a watermark.

    Make sure you have a fast Internet connection and a capacious hard drive before installing the program, as it takes up more than 2GB of disk space. You also need a reasonably powerful machine with a multicore CPU of at least 2GHz, and at the very least 4GB of RAM and 5GB of available hard drive space. On Windows, the app requires SSE2 support on the CPU and a DirectX 9 or 10 graphics card with at least a 1280-by-800 resolution monitor. When you first launch the program, it asks if you want to send diagnostic information to Adobe.

    What's New in Premiere Elements

    For longtime Premiere Elements users, here's a quick rundown of what's new. It's less impressive a list of changes than what we saw in this year's release of Photoshop Elements, which added futuristic automatic curation to find your best photos—that feature doesn't apply to video content.

    A New Home Window. See feature tips, launch the programs, access help, and see Auto Creations from this startup window.

    Auto Creations. Like Apple Photos, Google Photos, and Windows Photos, Elements now automatically generates slideshows and photo collages from your media. The Adobe version makes use of the company's Sensei AI technology.

    Increased Speed. Adobe has sped up installation as well as common tasks.

    Support for HEVC and HEIC on macOS. Now that Apple's iPhone can take advantage of these far more efficient video and image codecs, it makes sense that Adobe would finally add support. Unfortunately, the support isn't yet available in the Windows version, though an Adobe contact informs me that the company is working on it.

    New Guided Edits. Debuting in the 2019 version of Premiere Elements are the Glass Pane effect and the Luma Fade transition. The first makes your subject appear to be behind glass, and the second fades colors in gradually. The previous 2018 update added several strong new features, including Candid Moments, which picks the best still images from your video clips; Smart Trim, which cuts out boring video sections; freeze frame with motion titles; a Bounce Back effect; Fix Action Cam Footage; Animated Social Post; and Animated GIF Export.

    Interface and Organizer

    New for the 2019 version of Elements is the home screen, from which you can launch any of the three Elements apps—Photoshop Elements, Premiere Elements, or Organizer—and also see help links, Auto Creations, tips on using features, and recent projects. This window replaces the eLive tab's functions, which offered the same content.

    The separate Organizer window is where you import, rate, keyword tag, and share media online. It's also where you output your work to DVDs and other project formats. Mode options appear right at the top of the Organizer, including Media, People, Places, and Events. The last three give you helpful ways of viewing your media. The Organizer is somewhat skewed toward photos—its Instant Fix button only works for photos, as does the Places view. It has, however, been much simplified and improved over the years.

    The Organizer shows off its chops when you tap the Search magnifying glass icon in the top window border. A set of buttons appears along the left edge, letting you filter your search by automatic AI-generated Smart Tags, People, Places, Dates, Keywords, Albums, Folders, Media Types, and Star Ratings. You can combine search types, looking up, for example, pictures of Jordan Minor taken in New York City in September. Unfortunately, the Smart Tags didn't find my video content, even when I had a video nearly identical to a photo of the same subject it did find.

    Touch screens on PCs are increasingly common, and they get excellent support in the recent versions of Windows. I'm happy to see Adobe also putting in the effort to support this input option, at least in the Organizer and in Premiere Element's Quick mode. That said, the support could be better. You can scrub through video and add and split clips, but some controls are still on the small side for pudgy-finger manipulation. There's no touch-specific interface option like that in Photoshop CC.

    Premiere Elements' video editing interface remains largely the same in the latest version, with the standard timeline across the bottom and preview and content panels sharing the top half of its window. I like that the content panel collapses when you're not using it, for a bigger view of the video window. The editing interface now has three mode tabs: Quick, Guided, and Expert.

    As with most consumer video editing software, the program creates a lower-resolution proxy version of your clips for immediate quick performance. You can hit the Render button at any time to see the full-resolution movie, but this can take many minutes, depending on your video length and resolution. You can't render just one clip or section, just the whole movie. A line above the timeline shows which clips are rendered—green for done, and yellow for not ready. Even using lower-resolution previews, however, I still experienced video stutter when working with multiple overlay tracks.

    Adobe Premiere Elements 2019 Add Media

    You can capture and import video and photos from within the editor as well as from the Organizer. The Editor's Add Media button offers choices to get media from the Organizer (which opens a preview panel), from files and folders, or directly from cameras and devices. Elements supports 4K content, so owners of a GoPro Hero4 or an iPhone 6S or newer can work with their cameras' top resolutions. Premiere Elements doesn't, however, support the H.265 High Efficiency Video Coding format on Windows, nor does it support 3D or 360-degree VR clips. Competitors such as Magix Movie Edit Pro, Vegas Movie Studio, and PowerDirector have long supported these formats.

    Premiere Elements also lacks screen-cam recording, which lets you create videos of desktop activity on your computer screen, a feature offered by Corel VideoStudio Pro and PowerDirector. And there's no multicam editing feature, which lets you sync the same scene shot with different cameras at different angles, as found in PowerDirector and Magix Movie Edit Pro. Mac users get strong multicam editing in Final Cut Pro X, our Editors' Choice for video editing on the Mac.

    The Project Assets panel helpfully drops down to show thumbnails of all your clips, audio, and image files. This resembles the way pro software uses bins to keep track of assets. There's also a helpful History window, which lets you see what your project looked like at any point during your previous edits. You can also search within the transition and effect selection boxes, which I find helpful.

    One thing I miss on the Expert mode's timeline is the ability to quickly solo a track, hiding all the others, though you can hide either a video or audio track by clicking on the film or speaker icons at the head of the timeline. Also missing is the ability to zoom the timeline in and out with the mouse wheel, which most competitors offer. You can't pop out panels into their own separate windows as you can in Vegas Movie Studio, but you can use a dual-monitor setup.

    Quick Mode Edits Your Clips for You

    Quick mode has been updated for the 2019 version of Elements, offering a clear, simple way to join video clips, add titles, transitions, image correction, soundtracks, and effects—all without requiring you to work in a labyrinth of tracks and controls. It uses an iMovie-like storyboard view of clips and is one of the cleanest views you'll see anywhere. A clear scrubber lets you move through your movie, and you can easily apply freeze-frames and rotation using buttons. Smart Trim and speed-altering are within easy access from each clip thumbnail. Another button lets you add music, with options to fade in and out.

    Basic Video Editing in Adobe Premiere Elements

    Premiere Element's Smart Trim identifies poor-quality sections of your media and can delete them all at once. Style choices—People, Action, and Mix—affect what sections of the clips are retained. It automatically chose Action for my bike-stunt test video, and trim suggestions appeared with no waiting required. You can preview the suggested trims, and it did a good job of selecting the most active scenes, though one short section was dull, and some further-away bike tricks weren't included. It also removed out-of-focus and shaky sections, which is helpful. Handles let you easily extend its selections, and you can simply hit the Delete key to remove one. If you have long footage of limited interest, Smart Trim is a helpful tool.

    Premiere Elements lets you apply video stabilization from either Quick or Expert mode by choosing Shake Stabilizer from the Adjust panel. There are two methods of stabilization accessible from buttons—Quick and Detailed. Quick isn't actually that quick: My 1:35-minute clip took about 10 minutes to stabilize in Quick mode. At least Premiere Elements shows you the progress—minutes left, percent done, and current frame.

    After that, a banner message says, "To avoid extreme cropping, set Framing to Stabilize Only or adjust other parameters." In my testing, this meant going into the Detailed panel, and then choosing Advanced, where I had a lot of choices, such as smoothness, crop percent, and edge feather. It's a powerful tool, but you'll need patience for long clips. Large bumps aren't always fixed, even with Smoothness set to 100 percent. One cool choice is Synthesize Edges, which prevents cropping.

    Dehaze, a feature that has made its way into a lot of photo editing software, is available from Premiere Elements' Effects panel's Advanced Adjustment section. It did a fine job of adding contrast and saturation to my test landscape footage, as you can see in the nearby screenshot.

    Auto Creations

    After importing about a thousand clips and photos, the home screen showed more than a dozen Auto Creations that it had produced from my content. From photos shot around the same area and time, it produced pleasant collages, which benefited from a bit of editing and photo swapping. The feature also produced several movie slideshows of varying interest from my test media, with effective transitions and backgrounds. The background music was usually well chosen to fit the image subjects, but if often stopped abruptly, rather than fading out. Some were also so short as to be pointless. In any case, the project can provide starting points for your own creativity.

    Guided Edits in Premiere Elements

    Premiere Elements' Guided Edit tools hold your hand through the steps of creating effects that are more complex than just pressing a button or adjusting a slider. Simply tap the Guided Edits mode-switcher button to see all 20 of them. When you go through an edit, a right-panel with actions you need to take show up as tooltips that tell you exactly what to do, and even prevent you from clicking Next until you've completed a step. There are now 20 Guided Edits.

    There are just two new Guided Edits in 2019: Glass Pane effect and the Luma Fade transition. Last year's update added twice that number, with Freeze-Frame With Motion Titles, Bounce Back (which creates a repeating back-and-forward effect), Fix Action Cam Footage, and Create an Animated Social Post.

    The Luma Fade edit has you add a couple clips to the timeline, snap a freeze-frame from the first frame of the second clip, and then use it for a gradient wipe transition. The effect is arresting, as you can see below.

    The second new Guided Edit for the 2019 version is the Glass Pane effect, found in the Fun Edits section. This takes you through the process of creating a moving matte overlay and blurring an underlying track with the same video. It's a neat effect, as you can see below.

    There's a big overlap between video editing enthusiasts and action cam shooters. Top adventure YouTubers like Chris Rogers and Atua Mo'e are good examples. CyberLink PowerDirector also appeals to this audience with its Action Cam Center tool, which dates back a few years. Like that tool, Adobe's Action Cam Fix Action Cam Footage Guided Edit addresses lens distortion, lighting, and color. The two tools differ in that Adobe directs users to the previously described Smart Trim tool, while PowerDirector adds effects like stabilization, time-shift, and freeze-frame. The Adobe tool does improve footage, but for my money, the PowerDirector version of this offering is more powerful.

    The Create an Animated Social Post owes its existence to those punchy captioned videos you see on Facebook and Instagram. The guide starts you by directing you to the motion title tool. It also has you apply motion to the main video so that it slides from left to right. Finally, it directs you to the social sharing panel. In all, it's not a very ambitious tool, but some may find it helpful.

    The Color Pop Guided Edit replicates an effect that most people first saw in Spielberg's Schindler's List, in which a powerful effect highlighted a young girl in a red coat in the midst of a primarily black-and-white movie. You start with the Color Pop Guided Edit by switching to Expert mode, and then pick the Red Noir Hollywood Look from the Effects menu. Then you open the HSL Tuner tool, from which you can adjust not only the red content, but also that of seven other colors. One weakness of this approach is that it pops everything of the specified color. In CyberLink PowerDirector and other apps, you can create a mask or use motion tracking to limit where the color pops.

    Candid Moments

    This new tool is available in either Quick or Expert mode, and it lives in the Toolbar's Tools/Video group. Before you can use it, you have to select video clip(s). The tool looks for faces that are in focus and well lighted. It actually did a great job of identifying pleasing stills from my video walk around the office. You can use a slider to create more or fewer shots, or simply click on a tool at the cursor to add one on demand.

    Auto Smart Tone

    A feature shared by Photoshop Elements and Premiere Elements is Auto Smart Tone. After adjusting the image to its best-guess fix, this lighting correction shows a control puck in the center of a rectangle, with four extremes shown in thumbnails in the four corners of the preview window, towards which you can drag the puck and refine the app's correction. In Premiere Elements, the tool finds similar scenes within a clip for correcting at the same time. The tool let me noticeably improve a test clip's lighting.

    Advanced Video Effects

    The effects we've come to expect in a consumer video editor are all here. There's a wealth of transitions, picture-in-picture, chroma-keying, scaling, opacity, and even keyframe-timed effects. There are dozens of animated and still picture-in-picture presets, but it's easy just to drag a clip above another on the timeline and resize it. And the Graphics tool can insert animated and still objects such as flying birds (and other animals), stars, snow, and speech bubbles.

    Elements' Video Collage feature is basically a set of templates for Picture-in-Picture Mode. Available from the Create menu, the Video Collage interface does make it easy to drop clips into prefab templates that even include animated motion. It's a lot easier than messing with keyframe editing! You can also add thematic background music with a button click, and choose whether to play the component video clips all together or in sequence. Cleverly, the background is lowered during speech in the clips (an effect known as ducking), and it stretches to fit your movie.

    The app's chroma-key works well, with good control over opacity and chroma threshold, but at one point, when moving the threshold slider, my background in the preview switched to blue. When you add a clip with a solid background to your timeline in Expert mode, a dialog asks if you want to use the Videomerge feature, which makes the background transparent. You can even use Videomerge on non-green-screen clips, for a degree of overlay transparency.

    You get several spiffy NewBlue effects (as you do in PowerDirector), including Film Look, which adds damage, sepia tint, and jitter with a choice of wear patterns, to make your movie look like it was shot in Charlie Chaplin's day. Frankly, my interest in photos with retro effects long ago wore as thin as the image on a hundred-year-old negative, but I'm sure many still find them charming. The FilmLooks effects offer a variety of looks, including a bright and blurry Dreamy, Hollywood Movie, which pumps up colors, and Pandora, which gives your movie the cool color cast of that title. These effects, however, are not always adjustable—some are either on or off. And applying a FilmLooks effect removes any other effects adjustments you've made to the clip.

    A powerful tool in Premiere Elements is the three-way color corrector. This lets you pump up a selected hue separately for midtones, highlights, and shadows.

    Titles and Text

    The app now includes over 20 preset Motion Titles in categories like Contemporary, Formal, Geometric, Decorative, Typography, and Fun, along with a custom option. These are very professional looking, and most offer opening, ending, and lower-third options. You also get good customizability with fonts, background image (including transparent through to your video), and you can even change the animation type—wipe to center, fly in with twist, and so on.

    There have also long been attractive themed-titling options, like Prime Time, Aquarium, Coming Book, and Ladybug Picnic. Most offer four templates, for credits, frame, lower third, and title. I had to download some of these before I could use them in my testing, but that is pretty painless since installing the content is all handled within the program. WYSIWYG editing makes customizing the text a snap. But you're not restricted to the present templates: You can choose from a huge variety of fonts and sizes, choose a color, drag the text anywhere on the movie, and apply any of 38 animation styles.

    Premiere Elements' title masking lets you show moving video behind your text titles—a cool effect, for sure. The procedure is far from taxing, and once you've gone through it, there's ample opportunity for customization. The screenshot below shows the look you get, although here it's static.

    Audio Editing

    Premiere Elements' Music Remix tool works with any MP3 file and is the default for sound you've placed in the Music track on the timeline. In several tests, it worked acceptably, though there was often extra silence at the end.

    The audio-only view in the timeline opens up the Master volume control. You see waveforms on the standard timeline, and yellow line in the middle helpfully lets you raise or lower a clip's volume graphically. The Adjustments menu includes volume, balance, and treble and bass boost, as well as AudioGain, which normalizes audio to match sound levels of all your sources. From the Effect menu (the same one from which you get all the video effects), you can choose Audio Effects, which include DeNoiser, delay, dynamics, and more. You get some powerful NewBlue audio effects, too, such as Audio Polish, which eliminates most background noise, a hum remover, and a reverb adder that lets you change the room size.

    Elements can pump up your digital movie's aural impact with scores and sound effects. The Scores feature includes dozens of musical backgrounds to fit different moods, but the cool part is that they dynamically adjust their length to your movie. Scores are grouped into categories such as Ambient and Urban, as well as genres like Country and Rock-Pop. You can check the fit-to-entire-video box, and then choose whether to delete existing clip sound.

    There's a full selection of sound effects—from Air Conditioner to Wire Bunched Hitting Hollow Wood. And a Foley group of sounds—such as Bottle Cap Screwing on and Cell Phone Battery Inserting—can give your video a true Hollywood touch of faux reality. I easily timed an explosion sound effect with a bike jump in my test movie.

    Sharing and Output

    You can find most output options in the Organizer app, but there is an Export & Share button in the editor at top right that can send your cinematic creations to DVD, computer files, or the web. You can upload directly to Facebook, YouTube, and Vimeo, choosing HD or SD quality. Saving files for use on Apple and other mobile devices is also simple. The app offers all kinds of control over your output files. You can choose Flash, MPEG, AVCHD, AVI, WMV, or QuickTime, with options for all standard resolutions and bitrate targets, both maximum and minimum.

    The new Animated GIF export option is a godsend if you're sharing a very short video to a destination (like a photo spot on a website) that doesn't accept video. There's not a big obvious choice for it, though. On the Export panel, you need to choose Devices, then Custom, then tap the Advanced Settings button, and then select Animated GIF from the format drop-down. It's best to keep the video as short as possible—definitely under 10 seconds—and to choose a lowish resolution. Otherwise, your resulting file will be too huge to use.

    Performance

    Premiere Elements feels quick in general video editing procedures, and didn't crash the way some competitors occasionally did during testing. For rendering speed, I tested by creating a movie consisting of four clips of mixed types (some 1080p, some SD, some 4K) with a standard set of transitions and rendered it to 1080p30 MPEG-4 at 15Mbps, H.264 High Profile. Audio was MPEG AAC Audio: 192 Kbps. I tested on an Asus Zen AiO Pro Z240IC running 64-bit Windows 10 Home and sporting a 4K display, 16GB RAM, a quad-core Intel Core i7-6700T CPU, and an Nvidia GeForce GTX 960M discrete graphics card.

    Among the three top consumer video editors, Premiere Elements still lags in rendering speed. On the test movie (whose duration was just under 5 minutes) it took 6:21 (minutes:seconds) seconds to render, compared with 1:59 for PowerDirector, and 4:20 for Corel VideoStudio. Both Pinnacle Studio and PowerDirector took less than half the time Premiere Elements did, and I suspect this is because they support Nvidia graphics hardware acceleration, while Elements only supports Intel integrated graphics acceleration. During export, Elements does show you a progress bar with the percent elapsed and time remaining, but not the elapsed time, current frame, or a video preview, as some other editors do.

    Ready for the Red Carpet?

    If you like the integration of the Elements Organizer and Photoshop Elements, the 2019 edition of Adobe Premiere Elements is a very good choice. Its many guidance features provide a good education on how to create compelling projects. It is not, however, the most powerful or fastest enthusiast-level video editor. It's also behind when it comes to support for new standards like 360-degree VR content and the HEVC high-efficiency codec used by new iPhones. For that, look to our Editors' Choices for consumer video editing software, CyberLink PowerDirector and Corel's VideoStudio Pro on Windows, and Apple iMovie and Final Cut Pro X on the Mac.

    Adobe Premiere Elements

    good

    Bottom Line: Adobe's consumer video editing app adds a new start page, Auto Creations, a redesigned quick-editing interface, and faster performance.



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